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Dolmen de la Pierre Cesée à Soucelles à Soucelles en Maine-et-Loire

Patrimoine classé
Patrimoine Celtique
Dolmens
Maine-et-Loire

Dolmen de la Pierre Cesée à Soucelles

    D109
    49140 Rives-du-Loir-en-Anjou
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Dolmen de la Pierre Cesée à Soucelles
Crédit photo : Kormin - Sous licence Creative Commons

Timeline

Néolithique
Âge du Bronze
Âge du Fer
Antiquité
Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
4100 av. J.-C.
4000 av. J.-C.
0
1900
2000
Néolithique
Construction of dolmen
1910
Historical monument classification
1929
Archaeological excavations
1958
Controversial restoration
Aujourd'hui
Aujourd'hui

Heritage classified

Dolmen de la Pierre Cesée: by order of 8 July 1910

Key figures

G. Denizot - Archaeologist Search of 1929, discovery of artifacts
Desmazières - Local researcher Documentation of folklore and structure
Michel Gruet - Author specialist Bibliographic reference on megaliths

Origin and history

The Dolmen de la Pierre Cesée is an angeline megalithic building built in sandstone during the Neolithic period. Located in Soucelles, in the department of Maine-et-Loire, it is distinguished by its funeral chamber of more than 7 meters long, covered by a single table of cover of 8,80 meters, broken but still in place. The structure consists of side slabs, one of which is 2.90 metres high, partially buried, and a split but stable pillar. Excavations in 1929 revealed artifacts such as ceramic coats and flint, including a scraper.

Ranked a historic monument in 1910, the dolmen underwent a controversial restoration in 1958, during which debris delivered new archaeological remains. Its original architecture included an entrance porch, of which only traces remain, and a slab of shuttering today buried. The site illustrates the funeral practices and megalithic construction techniques of the time, while bearing the marks of subsequent human interventions.

Local folklore attributes the construction of the dolmen to a fairy, whose heel and stick print would be visible on the cover table. Two traditions explain his name: one evokes a stone broken (caese) by lightning, the other a deformation of Caesar, in connection with a nearby menhir called Caesar's Finger. These narratives reflect the popular imagination associated with megaliths, often perceived as supernatural works or linked to mythified historical figures.

The studies of the dolmen are based in particular on the work of archaeologist G. Denizot and the observations of Desmazières, who documented its structure and archaeological context. The ceramic and lithic remains discovered testify to an active human occupation during the Neolithic period, while the restorations of the 20th century raise questions about the methods of conservation of the megalithic heritage. The site remains an emblematic example of Angelian funerary architecture, integrated into a landscape rich in prehistoric monuments.

External links