Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Domaine de Sceaux

Domaine de Sceaux

    Route Sans Nom
    92160 Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Domaine de Sceaux
Crédit photo : Original téléversé par AntonyB sur Wikipédia franç - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1470
Reception of Louis XI
1670
Purchased by Colbert
1672
Decoration of the Aurora Pavilion
1683
Colbert's death
1685
Royal Festival in Sceaux
1690
Death of the Marquis de Seignelay
1793
Revolutionary Confiscation
1798
Destruction of the castle
1856-1862
Reconstruction of the castle
1923
Purchase by department
1937
Opening of the museum
Aujourd'hui
Aujourd'hui

Heritage classified

The facades of the house called "Pavillon de Hanover" (formerly 33, boulevard des Italiens and 32-34, rue Louis-le-Grand in Paris 2e): inscription by order of 24 March 1925 - Parts of the Sceaux domain comprising: the Aurora Pavilion; the ancient fence of the castle with the pavilions of the Guards, the bridge, the ditches and the two groups of Coysevox placed on the pillars on each side of the entrance gate; orangery; the guinea fowl balustrade; the three circular basins located in the French-style beds facing the castle; the great channel; the great basin of Octogone: classification by decree of 24 September 1925 - The 18th century painting decoration of the house of Mademoiselle Guimard, coming from the building 100 rue de Paris in Pantin (93) and taken up in the museum of the Ile de France: inscription by order of 19 October 1928 - Le portail du Petit Château sis 17, rue du Docteur-Berger : inscription by decree of 17 April 1931 - The Bath of the Horses of Seals with its walls entirely fitted in stone, its cobbled bottom and its inclined ramp, located in the department park of Seals (see AE 21): inscription by order of 12 February 1993

Key figures

Jean-Baptiste Colbert - Minister of Louis XIV Buyer and designer of the estate.
André Le Nôtre - Landscape gardener Creator of French-style gardens.
Charles Le Brun - Painter and decorator Decorate the Aurora Pavilion.
Jules Hardouin-Mansart - Architect Designed orangery in 1686.
Marquis de Seignelay - Son of Colbert Pursue the development of the estate.
Duc et duchesse du Maine - Owners in the 18th century Hold a brilliant courtyard at Sceaux.
Jean François Hippolyte Lecomte - Negotiating and Destroying The castle was destroyed in 1798.
Duc de Trévise - Owner in the 19th century Reconstructs the current castle.
Léon Azéma - Architect of the 20th century Restores the estate in 1928.

Origin and history

The Domaine de Sceaux came into being in the 15th century with a mansion belonging to John II Baillet, seigneur of Sceaux, who received Louis XI there. At the beginning of the seventeenth century, the Potier de Gesvres, lords of Sceaux, built a castle in the style of Henri IV or Louis XIII. The property remained in this family until it was bought in 1670 by Jean-Baptiste Colbert, the chief financial officer of Louis XIV, who wished to make it his country residence near Versailles. Colbert enlarged the estate, drew the gardens by André Le Nôtre and decorated the castle with the help of Charles Le Brun and renowned artists such as François Girardon and Antoine Coysevox.

When Colbert died in 1683, his son, the Marquis de Seignelay, took over the estate and continued the development, notably by creating the Grand Canal and expanding the park. After his death in 1690, the estate passed into the hands of the Duke and Duchess of Maine, who held a brilliant court there at the beginning of the eighteenth century. However, at the Revolution, the estate was confiscated, looted, and the castle destroyed in 1798 by a merchant, Jean François Hippolyte Lecomte, who sold the materials.

In the 19th century, the estate was bought by the Treviso family, which had a new castle rebuilt between 1856 and 1862 in a Louis XIII style. The park, partially loti to finance its restoration, was finally acquired in 1923 by the Seine department (now the Hauts-de-Seine). Since then, the estate has housed the museum of the departmental domain of Seals and remains an emblematic place for its gardens, statues and history linked to the courtyard of Louis XIV.

The gardens, designed by Le Nôtre, are organized around a north-south axis and a large canal, with remarkable elements such as the basin of the Octogone, the waterfalls and the pavilion of the Aurora, decorated by Charles Le Brun. The park also preserves remains of the 17th and 18th centuries, such as orangery built by Jules Hardouin-Mansart, stables and several original or reproduced statues. Today, the estate is a cultural and walking place, hosting exhibitions, concerts and public events.

The present castle, rebuilt in the 19th century, has since 1937 housed the museum of the departmental domain of Seals, which traces local and regional history. The park, classified as Remarkable Garden, is open to the public and offers green spaces, historic aisles and preserved architectural elements. It is also a place of memory, with memorials dedicated to the Armenian genocide and the deportation of Jews during the Second World War.

Finally, the Sceaux estate has inspired artistic and cultural works, such as films, songs and paintings. There remains a major testimony of the art of French gardens and the history of aristocratic residences in Île-de-France.

External links