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Donjon de Vez dans l'Oise

Oise

Donjon de Vez

    3 bis Rue de la Croix Rebours
    60117 Vez

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1800
1900
2000
1185
Royal Annexation of Valois
1358
Destruction by the Great Jacquerie
1390-1410
Construction of the current dungeon
1446
Sale of the domain
1890-1904
Restoration by Léon Dru
1904
Historical monument classification
1988
Acquisition by Francis Briest
Aujourd'hui
Aujourd'hui

Heritage classified

Ranked MH

Key figures

Jean de Vez - Lord and Shambellan Sponsor of the dungeon (1390-1410).
Robert de Saint-Clair - Jean de Vez's brother-in-law Co-editor of the dungeon, without offspring.
Jean Lenoir - Suspected architect Probably related to the royal court.
Léon Dru - Restaurant restaurant (1890-1904) Radical restoration inspired by Viollet-le-Duc.
Francis Briest - Owner since 1988 Turns the castle into a place of contemporary art.
Philippe Auguste - King of France Annexe le Valois et Vez in 1185.
Raoul d'Estrées - First known lord Receive Vez after Bouvines (1214).

Origin and history

The dungeon of Vez, built between 1390 and 1410 by Jean de Vez (chambellan of Louis d'Orléans) and his brother-in-law Robert de Saint-Clair, is a rare example of a dungeon with a mainly residential vocation. From a pentagonal plane, it incorporates minimal defensive elements (grounded mâchicoulis) and four living floors, reflecting the influence of royal architects like Jean Lenoir. The site, built on an older fortified enclosure, replaces a first castle destroyed during the Grande Jacquerie (1358). The hexagonal chapel and a house of the years 1360-1390, now ruined, complete the medieval ensemble.

The seigneury of Vez, originally owned by the Counts of Crépy-en-Valois, passed under royal control in 1185 when Philippe Auguste annexed the Valois. Offered to Raoul d'Estrées after the Battle of Bouvines (1214), the estate is passed on to its descendants, including Hector de Vez, who launched the reconstruction after 1358. Unlike local legends, the dungeon never belonged to Louis d'Orléans, but its sophisticated style suggests an architect linked to the court. The estate left the family in 1446, sold by Bernard de Châteauvillain after the death of his wife.

Ranked a historic monument in 1904 after a controversial restoration by Léon Dru (inspired by Viollet-le-Duc), the castle was acquired in 1988 by Francis Briest, who made it an example for contemporary art. The gardens, labeled "remarkable", now house works by Bourdelle, Buren, Morellet or Lee Ufan, while the interiors host temporary installations. Successive restorations (XX century) altered some original elements, such as enlarged windows or crenelage, but preserved the medieval structure.

The fortified enclosure, in the shape of an irregular diamond (70 x 63 m), combines 14th and 15th century courtines, including a poterne flanked by round towers and a legendary Joan d'Arc tower. The chapel, restored in the 20th century, combines Gothic elements (third-point bays) and Renaissance additions (gate, upper hall). The primitive house (1360-1390), partially preserved, reveals scalds with mouldings in point-of-diamant and monumental chimneys, testimonies of late seigneurial luxury.

The dungeon, without murderers, was designed to resist the armed bands of the Hundred Years War rather than a siege. Its corner turrets, inspired by 12th century dungeons (like Niort's), serve mainly as foothills. The sleep terrace, once covered, offers views of the autumn valley. The mâchicoulis, with an exceptional bill, and the absence of aggressive defensive devices underline its function as aristocratic residence, probably destined for Peronelle de Vez and his descendants.

Today, the castle combines heritage and contemporary creation. The current owners, Caroline and Francis Briest, organize exhibitions and seasonal visits (April to October). The site, open to the public, illustrates the reinvention of historical monuments, between architectural preservation and dialogue with modern art.

External links