Construction of building 4e quart XIXe siècle (≈ 1987)
Construction period in Art Nouveau style.
24 septembre 1992
Registration historical monument
Registration historical monument 24 septembre 1992 (≈ 1992)
Protection of ceramic panels.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The four ceramic panels placed on the third and fourth floors, on both sides of the cut panel (Box 14: 04 CR 124): inscription by order of 24 September 1992
Key figures
Meyer - Owner
Associated with building construction.
Origin and history
The building located at 108 rue d'Alésia, in the 14th arrondissement of Paris, is a representative example of the Art Nouveau style, which developed in the late 19th century. This building is particularly distinguished by its decorative elements, including the four ceramic panels adorning the third and fourth floors, on both sides of the cut panel. These elements, characteristic of Art Nouveau aesthetics, contributed to its inscription as a historical monument.
The official protection of this building was established by an order of 24 September 1992, which specifically concerns ceramic panels. The latter, identified under cadastral reference 14:04 CR 124, illustrate the importance attached to preserving the architectural details emblematic of this period. The building is also associated with the builder Meyer, whose name is mentioned in the available sources, although little additional information on its exact role is provided.
Located at the corner of Rue d'Alésia and Rue des Plantes, this building is located in a Parisian neighbourhood marked by intense urbanization at the end of the 19th century. Art Nouveau, an artistic movement that emerged in reaction to previous historical styles, finds a notable expression through organic motifs and innovative materials such as ceramics. The location of the building, although noted as approximate in some sources, remains a reference point for the study of this architectural heritage in the capital.
The information available indicates that the building is not specifically open to the public for visits, room rentals or guest rooms. His interest lies mainly in his protected external elements, which bear witness to the ingenuity and know-how of the artisans of the time. The sources, such as Monumentum and internal data, underline the importance of this building in the Parisian architectural landscape of the late 19th century.
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