Construction left side 1880 (≈ 1880)
Directed by architect Roy.
1897
Construction right side
Construction right side 1897 (≈ 1897)
Work of architect Lagrave.
1898
Engraved wooden decor
Engraved wooden decor 1898 (≈ 1898)
Signed Oscar Lavau.
1er mars 1995
Registration Historic Monument
Registration Historic Monument 1er mars 1995 (≈ 1995)
Protection of the building (Case AN 69).
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Building (case AN 69): entry by order of 1 March 1995
Key figures
Roy - Architect
Built the left part in 1880.
Lagrave - Architect
Added the right part in 1897.
Oscar Lavau - Craft decorator
Author of wood engraved (1898).
Origin and history
The building located 87 rue du Général-de-Gaulle in Vaux-sur-Seine is an emblematic building of the 4th quarter of the 19th century, marked by eclectic architecture and exceptional interior decor. It is distinguished by the use of four artistic techniques: stained glass, engraved wood, enamelled ceramic and mosaic, reflecting the art craftsmanship and stylistic influences of the end of the century. The richness of its ornaments makes it a rare testimony of the civil architecture of this period in Île-de-France.
The building was built in two major phases: the left part was erected in 1880 by architect Roy, while the right part was added in 1897 by architect Lagrave. The engraved wooden decoration, made in 1898, was signed by Oscar Lavau, an artisan whose work contributes to the heritage value of the place. These elements motivated his registration in the Historical Monuments by order of 1 March 1995, recognizing his historical and artistic interest.
Owned by the municipality of Vaux-sur-Seine, the building is today a preserved local heritage, although its access to the public (visits, rental, accommodation) is not specified in the available sources. Its location, noted as "a priori satisfactory" (level 8/10), and its official address in the Mérimée base confirm its anchoring in the urban fabric of this city of the Yvelines, near Versailles.
The building illustrates the architectural and social evolutions of the late 19th century in Île-de-France, a period marked by industrialization, the rise of residential suburbs and a pronounced taste for eclectic decors. The craft techniques used — such as enamelled ceramics or engraved wood — also underline the dialogue between art and industry, characteristic of the period. Its ranking reflects the desire to preserve these heritages in the face of modern urbanization.
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