Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Church à Prades-d'Aubrac dans l'Aveyron

Aveyron

Church

    22 Place de L’Eglise Saint Laurent
    12470 Prades-d'Aubrac
Eglise
Eglise
Crédit photo : User:Aline - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1540-1546
Construction of church
1863
Addition of the mysteries of the Rosary
1867
Sculptures by Louis Castanié
13 avril 1929
Historical monument classification
1930
Restoration of frescoes
Aujourd'hui
Aujourd'hui

Heritage classified

Church: Order of 13 April 1929

Key figures

Antoine André - Dom d'Aubrac Initiator of construction (1540-1546).
Georges d'Armagnac - Sponsor Acquire the porch and its coat of arms.
Louis Castanié - Sculptor Author of the 1867 works.
Dom André - Abbé ECUson on the vault.

Origin and history

The Saint-Laurent church of Prades-d'Aubrac, located in the Aveyron department in the Occitanie region, is a religious building built between 1540 and 1546. It combines Gothic and Renaissance styles, as evidenced by its ivy vaults and thirdons, as well as its porch adorned with a pieta and a Latin inscription. Its interior architecture includes a nave flanked by side chapels, including the Sept-Douleurs and the Rosary, richly decorated with frescoes and sculptures.

The church was erected under the direction of Antoine André, dom d'Aubrac, then completed by Georges d'Armagnac, whose coat of arms appear on the porch. Ranked a historic monument on April 13, 1929, it houses remarkable elements such as a altarpiece of 1669, an engraved stone pulpit, and arch keys depicting biblical figures. The restoration works of the twentieth century, like the withdrawal of the crepi in 1930, revealed medieval frescoes.

The bell tower, of octagonal shape, overcomes a square base and ends with a frame arrow. Inside, the side chapels have decorative asymmetries typical of the Renaissance, such as a basket of fruit and a carved shell. The chapel of the Rosary, decorated with the 15 mysteries added in 1863, and the polychrome vault of the choir, with its pendants and its shield of Dom André, illustrate the artistic richness of the building.

Among the major works are a Crucifixion and an Eternal Father in golden wood, made by Louis Castanié in 1867. These 19th century additions complete an architectural ensemble marked by the medieval and reborn heritage. The church, owned by the commune, remains a major testimony of the religious and artistic heritage of Aubrac.

External links