Initial construction XIIe siècle (≈ 1250)
Church edification, Romanesque style.
XVe siècle
Renovations flamboyant style
Renovations flamboyant style XVe siècle (≈ 1550)
Changes in openings.
XVIIIe siècle
Replacement of the porch
Replacement of the porch XVIIIe siècle (≈ 1850)
Tower built instead.
9 septembre 1933
Historical Monument
Historical Monument 9 septembre 1933 (≈ 1933)
Registration except the bell tower.
2005-2013
Major restoration
Major restoration 2005-2013 (≈ 2009)
Works financed by the municipality.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church with the exception of the bell tower: inscription by decree of 9 September 1933
Key figures
Arcisse de Caumont - Historian and archaeologist
Described the church in 1867.
Origin and history
The church of Saint-Ouen de Monteille, located in the integrated village of Mézidon Vallée d'Auge since 2017, dates mainly from the twelfth century. Its openings, redesigned in the 15th century, then adopted the flamboyant style. The original wooden porch was replaced in the 18th century by a tower, while the building retained Romanesque elements, such as carved modillons and a wooden vaulted nave.
The church was listed as a Historic Monument in 1933. It has benefited from a recent restoration (2005-2013), financed by the municipality, a local association, the Heritage Foundation, and departmental grants. The work, with a total cost of € 200 000, focused on drainage, sanitation and restoration of furniture.
The architecture of the church is distinguished by a nave and a choir of the same width, a tower with an octagonal pyramidal roof, and a wooden vault "of great elegance". The building houses 19th-century statues, a representation of Saint Ouen of the 15th century, and an 18th-century high altar decorated with an Ascension painting. The painted caissons of the vault and the lateral altars, one of which represents the Annunciation, complete this ensemble.
Arcisse de Caumont, in his monumental Statistique du Calvados (1867), highlights the harmony of the proportions of the church and the quality of its Romanesque elements. He also mentions a funerary liter on the wooden porch, which is now gone, and criticises a plaster vault project, which he describes as "an act of vandalism".
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