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Calvados

Church

    2 Chemin de l'Église Saint-Ouen
    14270 Mézidon Vallée d'Auge
Ownership of the municipality
Eglise
Eglise
Eglise
Eglise
Eglise
Eglise
Crédit photo : ChBougui - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Initial construction
XVe siècle
Renovations flamboyant style
XVIIIe siècle
Replacement of the porch
9 septembre 1933
Historical Monument
2005-2013
Major restoration
Aujourd'hui
Aujourd'hui

Heritage classified

Church with the exception of the bell tower: inscription by decree of 9 September 1933

Key figures

Arcisse de Caumont - Historian and archaeologist Described the church in 1867.

Origin and history

The church of Saint-Ouen de Monteille, located in the integrated village of Mézidon Vallée d'Auge since 2017, dates mainly from the twelfth century. Its openings, redesigned in the 15th century, then adopted the flamboyant style. The original wooden porch was replaced in the 18th century by a tower, while the building retained Romanesque elements, such as carved modillons and a wooden vaulted nave.

The church was listed as a Historic Monument in 1933. It has benefited from a recent restoration (2005-2013), financed by the municipality, a local association, the Heritage Foundation, and departmental grants. The work, with a total cost of € 200 000, focused on drainage, sanitation and restoration of furniture.

The architecture of the church is distinguished by a nave and a choir of the same width, a tower with an octagonal pyramidal roof, and a wooden vault "of great elegance". The building houses 19th-century statues, a representation of Saint Ouen of the 15th century, and an 18th-century high altar decorated with an Ascension painting. The painted caissons of the vault and the lateral altars, one of which represents the Annunciation, complete this ensemble.

Arcisse de Caumont, in his monumental Statistique du Calvados (1867), highlights the harmony of the proportions of the church and the quality of its Romanesque elements. He also mentions a funerary liter on the wooden porch, which is now gone, and criticises a plaster vault project, which he describes as "an act of vandalism".

External links