Construction of church 1ère moitié du XVIIIe siècle (≈ 1850)
Building of the bell tower, nave and transept.
1914
Interior decoration
Interior decoration 1914 (≈ 1914)
Vegetal and starred vaults added.
3 décembre 2013
Historical Monument
Historical Monument 3 décembre 2013 (≈ 2013)
Registration of the entire building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box ZH 12): inscription by decree of 3 December 2013
Key figures
Modeste Moschetto - Painter
Author of the frescoes of 1914.
Dominique Malcotti - Painter
Collaborator with interior decorations.
Origin and history
The church of Cramans, located in the Jura, is a religious building built during the first half of the eighteenth century, marked by a typical architecture of the period. It consists of a bell tower topped by an arrow, a nave with two spans, and a vaulted transept with a dome on pendants, with rounded crumbs. The choir, with only one span, ends with an apse. This ensemble reflects the late baroque aesthetic canons, adapted to a rural Burgundy context.
The interior decoration, made in 1914, is one of the major assets of the building. The transept and the choir are decorated with monumental vegetal motifs and starred blue vaults, while the abside and the dome house figurative panels and medallions. These frescoes, signed by the painters Modeste Moschetto and Dominique Malcotti, illustrate the influence of Art Nouveau and Neoclassical currents at the beginning of the 20th century, in a region then oriented towards the crafting of art and the preservation of local heritage.
Classified as a Historical Monument by order of 3 December 2013, the church is now owned by the municipality of Cramans. Its listing in the inventory protects the entire building (cadastre ZH 12), highlighting its architectural and decorative value. The location, specified as satisfactory (note 7/10), corresponds to address 2 Bis Rue de l'Eglise, in the heart of the Jura village, in the former Franche-Comté region.
The building embodies both a rural religious heritage and a witness to the artistic renewals of the early twentieth century. Its decor, exceptional for a church of this size, reveals a community desire to modernize places of worship while preserving their spiritual and social function, in a Burgundy-Franche-Comté then in full economic and cultural transformation.
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