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Church of the Annonciade of Venzolasca en Haute-corse

Patrimoine classé
Patrimoine religieux
Eglise baroque
Haute-corse

Church of the Annonciade of Venzolasca

    Le village
    20215 Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Église de lAnnonciade de Venzolasca
Crédit photo : Fr.Latreille - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1700
1800
1900
2000
XIIIe siècle
Benedictine Foundation
1375
Link to Calci
XVIe–XVIIe siècles
Partial reconstruction
3e quart du XVIIe siècle
First work programme
1er quart du XVIIIe siècle
Second round of work
1926
Registration MH
milieu du XIXe siècle
Restoration by Solari
Aujourd'hui
Aujourd'hui

Heritage classified

Church: registration by decree of 17 December 1926

Key figures

Pasquino Campana - Master mason Intervention during the 18th century works.
Clemente Rovere - Master Mason Milanese Participates in the 18th century works.
Jean-Baptiste Solari - Master mason of the 19th century Responsible for the 1850 restoration.
Luigi Bruneti - Painter assigned Suspected author of Saint Lucia's painting.
Recteur Antonetto - Local Clergy (XVI century) Report the degraded state in 1569.

Origin and history

The church of the Annonciade de Venzolasca, located in the municipality of Venzolasca in Upper Corsica, is a religious building built in the 18th century. It embodies the classical architectural style introduced by the Genoese in Corsica, characterized by an orderly facade, a five-storey bell tower and a unique nave flanked by side chapels. Its elongated plan, its vaulted vessel in a glass crib and its interior decoration in painted and gilded plaster reflect the Italian influence of the time.

The church initially depended on the Benedictines of the island of Gorgone, then on the Chartreuse of Calci (Pise) from 1375. In 1569, she was in poor condition, as the Rector Antonetto points out. Partly rebuilt at the end of the 16th or early 17th century, it was the subject of two major works: the first in the third quarter of the 17th century, and the second in the first quarter of the 18th century, with the intervention of the master masons Pasquino Campana and Clemente Rovere. This work added eight side chapels and remodeled the choir.

In the mid-19th century, the church was restored by master mason Jean-Baptiste Solari, followed by regular maintenance work until today. Since 1926, it has housed a painting attributed to Luigi Bruneti, representing Saint Lucia interceding with the Most Holy Trinity for souls of Purgatory, protected as movable objects. Its architecture and history make it a valuable testimony of Corsican religious heritage under Genoese influence.

Venzolasca, where the church is located, is a rural town in Haute-Corse, marked by a human occupation dating back to the Neolithic. The commune, once organised around a village perched to protect itself from invasions, spread towards the plain and the coast, especially around the Arena district. Its economy, historically linked to agriculture and the local steel industry (as evidenced by the Querciolo forge), has evolved with its integration into the urban area of Bastia.

The Saint Francis convent, a neighbouring church and now in ruins, also illustrates the Franciscan heritage of the region. Founded in the 16th century on the basis of a 13th century establishment, it was enlarged by the Franciscans reformed in the 17th century. These historical and architectural elements underline the central role of Venzolasca in the religious and cultural heritage of Casinca, a microregion of the East Corsican plain.

External links