Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Church of the Sacred Heart à Aurillac dans le Cantal

Cantal

Church of the Sacred Heart

    10 Ter Avenue du 4 Septembre
    15000 Aurillac

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1935
Statue of Christ "PAX"
1937
Construction of church
20 mars 2006
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

The entire church (Box BI 109): inscription by decree of 20 March 2006

Key figures

Pierre Croizet - Architect Church designer in 1937.
Georges Bigeard - Sculptor Author of the statue "PAX 1935".
Marguerite Huré - Glass painter Creator of figurative and abstract stained glass.
Claude Bouscau - Sculptor Director of interior bas-reliefs.

Origin and history

The church of the Sacred Heart of Aurillac, built in 1937 by architect Pierre Croizet, embodies a "rationalist" neo-Roman style inspired by southwestern cathedrals and Byzantine domes. It is distinguished by its structure in two levels: a low church surmounted by a high church with a single nave, covered with a dome with a false transept. Its square bell tower, adjacent to the southern facade, is decorated with a monumental statue of Christ bearing the inscription "PAX 1935", carved by Georges Bigeard. The building combines local granite, Murat stone and reinforced concrete, reflecting a fusion between tradition and modernity.

The interior of the church opens to modern art with figurative and abstract stained-glass windows signed Marguerite Huré, bas-reliefs by Claude Bouscau, as well as paintings and mosaics made by the Mauméjean workshops. These decorative elements, combined with bold architecture, make the Sacred Heart a significant witness to the artistic and religious innovation of the twentieth century. The building, owned by the Diocesan Association, was listed as a historic monument in 2006 for its outstanding heritage value.

The church is part of the religious landscape of Aurillac alongside two other major buildings: Saint-Géraud and Notre-Dame-aux-Neiges. Its architecture, both rooted in the Cantalian region and oriented towards Mediterranean and Orthodox influences, illustrates a desire for stylistic renewal in the inter-war period. The statue of Christ, dated 1935, and hybrid construction techniques highlight this duality between local heritage and universal aspirations, characteristic of the monuments of this period.

External links