First certificate 1175 (≈ 1175)
Documentation of the church
1257
Erection in Parish
Erection in Parish 1257 (≈ 1257)
Becoming an official parish church
1944
Major destruction
Major destruction 1944 (≈ 1944)
Damaged during the war
14 mai 1962
MH classification
MH classification 14 mai 1962 (≈ 1962)
Protection for historical monuments
1971
Reconstruction of the bell tower
Reconstruction of the bell tower 1971 (≈ 1971)
Modern renovation of the bell tower
1980
Reopening to the public
Reopening to the public 1980 (≈ 1980)
After post-war restoration
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Notre Dame Church (Box D 4680): Order of 14 May 1962
Key figures
Denis Tchorek - Organ holder
Head of the current Muhleisen organ
Origin and history
The church of Our Lady of Douai, attested as early as 1175, was erected as a parish in 1257. Built on a 12th century chapel, it was transformed between the 13th and 15th centuries, then badly damaged in 1944 before being restored and reopened in 1980. Its primitive Gothic style and its central role in local history (confraternities, university, processions) make it a symbol of Douai.
The nave, in sandstone and bricks (late XII), is covered with a wooden vault of the 15th century, while the choir (XVIe) and the transept (XVe) house modern stained glass windows. The bell tower, rebuilt in 1971, dominates an interior marked by a 13th century tombstone and fragmentary frescoes. An architectural peculiarity: the choir, deliberately unaligned, evokes human imperfection in the face of divine perfection.
Ranked a historic monument in 1962, the church houses a large Muhleisen organ (2 keyboards, 29 games) installed by the Strasbourg bill. Its current owner, Denis Tchorek, continues a musical tradition linked to this place of worship and heritage, still owned by the commune of Douai.
The building, backed by the old ramparts, embodies the upheavals of the city, from the medieval brotherhoods to the destructions of 1944. Its post-war restoration and its opening in 1980 underline its resilience, while its contemporary stained glass windows (Schreiter, Hermet, Gaudin) dialogue with its millennium history.
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