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Church of Our Lady of Fleuriel dans l'Allier

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane

Church of Our Lady of Fleuriel

    3-5 Rue du Prieuré
    03140 Fleuriel
Ownership of the municipality
Église Notre-Dame de Fleuriel
Église Notre-Dame de Fleuriel
Crédit photo : Patrick Boyer - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1900
2000
XIIIe siècle
Addition of polylobed rose
XIe - XVe siècle
Construction of church
XVe siècle
Making frescoes
1954
Historical Monument
Début XXe siècle
Restoration of chapels
Aujourd'hui
Aujourd'hui

Heritage classified

Church: by decree of 31 May 1954

Key figures

Information non disponible - No characters cited in the sources The source texts do not mention any specific historical actor related to this monument.

Origin and history

The church Notre-Dame de Fleuriel, located in the Allier department in the Auvergne-Rhône-Alpes region, is a religious building built from the 11th to the 15th century. It illustrates medieval architectural evolutions, combining Romanesque and Gothic elements. Its classification as historical monuments in 1954 underlines its heritage importance, especially for its atypical prismatic vaults and 15th century frescoes preserved in the southern transept.

The western façade of the church is distinguished by a gable adorned with a 13th century polylobed rose, surmounting a burgundy-style portal, probably added later. This richly carved portal features capital columns and a decorated arch, typical of Gothic art. Inside, the apse chapels, rebuilt at the beginning of the twentieth century, testify to modern restorations aimed at preserving this medieval heritage. The frescoes of the 15th century, though fragmentary, offer an overview of the religious decoration of the time.

The Church of Notre-Dame de Fleuriel embodies the central role of religious buildings in medieval community life. In Auvergne, as in other regions, these churches served not only as places of worship, but also as social and cultural landmarks for local populations. Their construction and embellishment often reflected the prosperity and beliefs of the communities, while integrating various artistic influences, as evidenced by the Romanesque and Gothic styles present in this monument.

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