Initial construction XIIIe siècle (≈ 1350)
Fortified building with bell tower and mâchicoulis.
XVe–XVIe siècle
Adding Star vaults
Adding Star vaults XVe–XVIe siècle (≈ 1650)
Modernization of the nave and expanded openings.
30 décembre 1925
Registration for historical monuments
Registration for historical monuments 30 décembre 1925 (≈ 1925)
Official heritage recognition.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 30 December 1925
Key figures
Georges Tholin - Architectural descriptor
Documented defensive and stylistic details.
Origin and history
The Church of Notre-Dame de Houeillès is a Catholic church in the municipality of the same name, Lot-et-Garonne, New Aquitaine. Built in the 13th century, it was designed as a defensive building to protect villagers in times of conflict. Its bell tower, square at the base and octagonal at the top, evokes a medieval dungeon, while a turret with cut strips houses the staircase. The western gate, curved and surmounted by three mâchicoulis, recalls its military role. The damage suffered during the Hundred Years War is a testament to its strategic importance.
In the 16th century, the church was vaulted into a star, modernizing its nave divided into four square spans. Its narrow windows, comparable to archeries, and the three bedside bays crowned with a rosette reflect a duality between religious and defensive function. The flat bedside, high windows with narrow space, and architectural modifications of the 15th to 16th centuries (such as the addition of larger bays) illustrate its evolution. The building was listed as a historic monument on December 30, 1925, recognizing its heritage value.
The church architecture thus combines religious and military elements, typical of fortified churches of the South West. Georges Tholin's description highlights defensive details, such as the mâchicoulis or the windows in the shape of the archères, while the star vaults and the rosace of the bedside reveal an artistic embellishment in the Renaissance. Owned by the commune, it remains a testimony of architectural adaptations related to medieval conflicts and post-reconstruction.
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