Initial construction XIIe siècle (≈ 1250)
Original Romanesque building with arches in the middle of the wall.
1527
Death of Prefontaine Regnea
Death of Prefontaine Regnea 1527 (≈ 1527)
Circular tombstone preserved in situ.
XVe siècle
Partial reconstruction
Partial reconstruction XVe siècle (≈ 1550)
Gothic choir added after a fire.
1800s
Installation of stained glass windows
Installation of stained glass windows 1800s (≈ 1800)
Verrière representing the crowned Virgin.
3 mars 1986
Registration for Historic Monuments
Registration for Historic Monuments 3 mars 1986 (≈ 1986)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of the Assumption (Doc. D 136): inscription by decree of 3 March 1986
Key figures
Regnée de Préfontaine - Local noble buried in the church
Died in 1527, tombstone preserved.
Jehan de Préfontaine - Father of Regnea
Mentioned on the tombstone.
Catherine de Tavannes - Mother of Regnea
Mentioned on the tombstone.
Origin and history
Notre-Dame-de-l'Assomption Church of Beaumont-sur-Grosne, located in the department of Saône-et-Loire, is a 12th-century Romanesque religious building. It was profoundly altered after a fire during the wars of religion, during which its arches in the middle of the hanger were replaced by a walled structure. The Gothic choir with a flat bedside, built at that time, now houses a 19th-century glass window depicting the crowned Virgin, surrounded by Saint Anne and Saint Joseph, as well as a rare representation of Our Lady of Victories.
The church preserves a 16th century circular tombstone, that of Regnée de Préfontaine, daughter of Jehan de Préfontaine and Catherine de Tavannes, who died in 1527. This funerary slab, engraved with a badge and inscription, bears witness to the historical importance of the local noble families. The building, registered as a historical monument in 1986, is now part of the parish of Saint-Martin between Saône and Grosne and participates in the Open Churches network, promoting its accessibility to the public.
Architecturally, the church combines initial Romanesque elements – such as the semicircular abside and the basilical plane – with post-fire Gothic additions. The vault key of the choir, decorated with Christ in glory surrounded by angels, and the 19th century stained glass windows illustrate this stylistic duality. The building, owned by the commune, remains an active Catholic place of worship, integrated into the diocese of Autun.
Its regular opening is part of the Open Churches project, led by a foundation dedicated to the enhancement of religious heritage. In 2022 she was among the three churches of the Diocese of Autun participating in this initiative, highlighting her role both spiritual and tourist in the region.
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