Construction of pillars and rose fin XIVe siècle (≈ 1495)
Nef and stained glass from this period.
XVe siècle
Adding the south porch and windows
Adding the south porch and windows XVe siècle (≈ 1550)
Flamboyant Gothic style and sculptures.
1585-1637
Western massif and bell tower
Western massif and bell tower 1585-1637 (≈ 1611)
Dates on structures.
XVIe siècle
Construction of the bell tower and ossuary
Construction of the bell tower and ossuary XVIe siècle (≈ 1650)
Period of major architectural enrichment.
29 janvier 1912
Partial classification of the church
Partial classification of the church 29 janvier 1912 (≈ 1912)
Protection for historical monuments.
22 février 1926
Registration of Calvary
Registration of Calvary 22 février 1926 (≈ 1926)
Heritage recognition of the adjacent cemetery.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box AB 57, 58): by order of 29 January 1912; Calvary: registration by order of 22 February 1926
Key figures
Duchesse Anne - Benefactor
Dona chalice in vermeil and reliquary.
Origin and history
The Church of Notre-Dame de Plourac'h, located in the Côtes-d'Armor department in Brittany, is a building whose first architectural traces date back to the late 14th century. The pillars of the nave and the radiant rose of the glass mistress bear witness to this period, while the flamboyant windows and the south porch, decorated with statues of the apostles under stone daisies, date back to the 15th century. This porch is particularly remarkable for its lamp asses and sculptures, as well as its cornice representing fantastic animals and grotesque characters.
The bell tower and ossuary, characteristic of Breton religious architecture, were built in the sixteenth century, when the church experienced significant enrichment thanks to prestigious gifts. These include a vermeil chalice and a silver reliquary offered by the Duchess Anne of Brittany, highlighting the historical and religious importance of the site. In the immediate vicinity, in the cemetery, a 15th century calvary presents scenes of the Passion of Christ, with detailed representations of crucifixion, flogging and the descent of the cross.
The Church of Notre-Dame was partially classified and listed as historical monuments by decrees of 29 January 1912 and 22 February 1926, thereby recognizing its heritage value. Subsequent modifications, such as the sacristy of the early 19th century or the renovations of the walls during the same century, show continued occupation and maintenance of the site. The building, built in large apparatus, illustrates the evolution of architectural styles, from flamboyant Gothic to Renaissance elements, while preserving traces of its medieval past.
The adjacent calvary, inscribed in 1926, completes this religious ensemble by offering a sculptural testimony of local devotion. The scenes depicted, such as the holy women at the foot of the cross or the angel carrying the instruments of the Passion, reflect a rich and symbolic iconography. These elements, combined with the very structure of the church, make this monument an emblematic place of Breton heritage, marked by centuries of faith and exceptional craftsmanship.
The location of the church, at the heart of the commune of Plourac'h, as well as its central role in religious and community life, are attested by the numerous additions and transformations it has undergone. The dates engraved on the western massif and the bell tower, between 1585 and 1637, confirm a period of major work, while the older elements, such as the eastern chapels, date back to the early 16th century. This architectural and historical ensemble offers a complete panorama of the religious and artistic evolution of Brittany between the Middle Ages and the modern era.
Finally, the communal property of the building and its opening to the public make it an accessible place, allowing visitors to discover a heritage that is both local and of national importance. Available sources, including references to the Inventory Bretagne and the Mérimée base, as well as Creative Commons licenses for certain photographs, facilitate the dissemination and study of this monument, thus contributing to its preservation and cultural enhancement.
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