First written entry 1030 (≈ 1030)
Possession of the chapter of Angoulême.
Fin XIIe siècle
Initial Romanesque construction
Initial Romanesque construction Fin XIIe siècle (≈ 1295)
Chevet and portal still visible.
Fin XIVe siècle
Gothic reconstruction
Gothic reconstruction Fin XIVe siècle (≈ 1495)
After the Hundred Years War.
1840
Major restoration
Major restoration 1840 (≈ 1840)
Nef and vaults redone.
1881
Work led by Warin
Work led by Warin 1881 (≈ 1881)
Partial modernization.
1889
Construction of sacristy
Construction of sacristy 1889 (≈ 1889)
By Philippe Demonieux.
5 décembre 1991
Registration Historic Monument
Registration Historic Monument 5 décembre 1991 (≈ 1991)
Official protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Notre Dame Church (Box B 640): inscription by order of 5 December 1991
Key figures
Philippe Deménieux - Architect
Designed the sacristy in 1889.
Warin - Architect (XIXe)
Directs the work of 1881.
Origin and history
The church of Notre-Dame de Vignolles was mentioned in 1030 as possession of the cathedral chapter of Angoulême, then the diocese of Saintes. Its initial construction, at the end of the 12th century, marks its Romanesque origin, visible today in its semicircular bedside and portal. These elements, like the sculpted cornice, illustrate medieval religious art in the region.
Ruined at the end of the Hundred Years' War, the church was rebuilt in the 14th century in Gothic style, as evidenced by the span under steeple. This period of reconstruction reflects local efforts to restore buildings damaged by the conflict. Only the third span of the nave, vaulted on a dogive cross, remains of this medieval era.
In the 19th century, the building underwent extensive restorations that transformed much of its structure. The facade, vaults, south elevation, bell tower and sacristy (built in 1889 by architect Philippe Demenieux) date from this period. The works of 1840 and 1881, led by architect Warin, modernized the church while preserving some ancient elements. Enrolment in the Historic Monuments in 1991 devotes its heritage value.
From a rectangular plane, the church preserves a mixture of architectural styles, where Romanesque traces coincide with Gothic and neo-Gothic additions. This architectural palimpsest illustrates the artistic evolution and cultural needs of the Vignollais community throughout the centuries. Today the property of the municipality ensures its preservation.
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