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Notre-Dame-des-Anges de Tourcoing Church dans le Nord

Patrimoine classé
Patrimoine religieux
Eglise de style classique
Nord

Notre-Dame-des-Anges de Tourcoing Church

    73bis Rue Nationale
    59200 Tourcoing
Église Notre-Dame-des-Anges de Tourcoing
Église Notre-Dame-des-Anges de Tourcoing
Église Notre-Dame-des-Anges de Tourcoing
Crédit photo : Derreveaux - Sous licence Creative Commons

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1845–1849
Construction of church
3 mai 1849
Building construction
1859
Add arrow
1857–1875
Interior decoration neo-Renaissance
1929
Replacement of glass windows
6 avril 1981
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Église-Notre-Dame-des-Anges (Case HK 14): inscription by decree of 6 April 1981

Key figures

Angélique Destombes-Masurel - Donor and sponsor Finança church and neighbouring chapel.
Achille Dewarlez - Municipal architect Co-conceptor of the church (1845–1850).
Charles Maillard - Architect and decorator Aceva bell tower and directed interior decorations.
Jean-François Abeloos - Sculptor and cabinetmaker Author of the altarpiece and chair.
Jan Frans Vermeylen - Craft sculptor Realized stalls and liturgical furniture.
Charles Buisine-Rigot - Sculptor of sacred art Creates organ and confessional buffet.

Origin and history

The church of Notre-Dame-des-Anges de Tourcoing, built between 1845 and 1849, is the work of municipal architects Achille Dewarlez and Charles Maillard. It was erected on a land offered by Angélique Destombs-Masurel (1799–55), a powerful textile industrial family. The same neighbouring land also hosted the Notre-Dame-des-Victoires chapel, financed by the donor. The church, of neoclassical style tinted with renaissant influences, was consecrated in 1849 by Bishop Giraud, Bishop of Cambrai, assisted by the Bishop of Ghent. Its architecture combines a limestone and sandstone facade, a two-storey bell tower and a polygonal arrow added in 1859 by Maillard.

Inside, the neo-Renaissance decoration (1857–75), supervised by Maillard, includes a nave with a false dogive vault, arches in full hang, and 70 polychrome oak statues nestled in the triforium. The more sober side façades contrast with the richness of the furniture: altarpiece (1857) and pulpit (1863) by Jean-François Abeloos, stalls (1873) and communion bench (1875) by Jan Frans Vermeylen, and organ buffet sculpted by Charles Buisine-Rigot. The church, originally privately owned before being assigned to the diocese, was registered with the Historical Monuments in 1981. In 2020, it was undergoing major renovation.

The initial project (1839–45) experienced delays due to the humidity of the land and the financial difficulties of the municipality. Several plans were studied before the 3rd project was adopted in 1845, modified to incorporate stone columns. The glass windows, replaced in 1929, complete this emblematic edifice of northern religious heritage, combining neoclassical rigour and Renaissance exuberance. The official address, 73bis rue Nationale, and its Insee code (59599) place it in the department of the North, in the Hauts-de-France region.

External links