Construction of the nave XIe siècle (≈ 1150)
Nef Romanesque original building.
XIIe siècle
Construction of the choir
Construction of the choir XIIe siècle (≈ 1250)
Late Romanesque style choir.
XVIe siècle
Adding the frame
Adding the frame XVIe siècle (≈ 1650)
Nave panelled carriage.
XVIe siècle (période Renaissance)
Construction of the chapel
Construction of the chapel XVIe siècle (période Renaissance) (≈ 1650)
Renaissance style chapel added.
29 mars 1926
Registration Historic Monument
Registration Historic Monument 29 mars 1926 (≈ 1926)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 29 March 1926
Key figures
Un croisé anonyme - Suspected perpetrator of ex-voto
Have put chains in thank you.
Origin and history
The Church of Notre-Dame des Essards, located in the town of Les Essards in Indre-et-Loire, is a historical monument whose construction takes place mainly in the 11th and 12th centuries. It consists of an 11th century Romanesque nave, a 12th century choir, and a chapel added to the Renaissance. Its walled structure, dating from the 16th century, as well as its Plantagenet-style apse, testify to the architectural evolution of the building over the centuries. Some pillars incorporate historic capitals, probably recovered from another building, adding a particular historical and artistic dimension.
According to local tradition, iron chains attached to the walls were set up by an ex-voto cross, commemorating his release after captivity. These elements, although undated precisely, reinforce the link between the church and medieval narratives related to the crusades. The building, inscribed as a Historic Monument by order of 29 March 1926, now belongs to the commune. Its exact address, 3 Rue Chevaliers Macquaux, and its Insee code (37123) confirm its anchoring in the department of Indre-et-Loire, in the region Centre-Val de Loire.
The church illustrates the stylistic transitions between Romanesque and Gothic art, with Renaissance influences visible in its chapel. The presence of historic capitals suggests the reuse of materials from an earlier building, which is common practice in the Middle Ages. Although the sources do not specify the identity of the crusader associated with the chains, this ex-voto recalls the religious practices and narratives of pilgrimage or devotion related to the crusades. The lack of details about sponsors or artisans limits the knowledge of the actors involved in its construction, but its registration as Historic Monuments underlines its heritage importance.