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Notre Dame parish church à Decazeville dans l'Aveyron

Aveyron

Notre Dame parish church

    25 Rue Clemenceau
    12300 Decazeville
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Eglise paroissiale Notre-Dame
Crédit photo : Krzysztof Golik - Sous licence Creative Commons

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1846
Acquisition of land
1847
Laying the first stone
1861
Church Consecration
1863
Chemin de croix de Gustave Moreau
1873
Completion of the bell tower
1874
Installation of the Cavaillé-Coll organ
2019
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

In total the parish church of Notre-Dame, appearing in the cadastre section AM, parcel 70, as delimited on the plan annexed to the decree: inscription by order of 17 December 2019

Key figures

Antoine-Martin Garnaud - Architect Church Designer, Prix de Rome 1817.
François Cabrol - Industrial and patronial Partial financer, coal manager.
Gustave Moreau - Symbolic painter Author of the Way of the Cross (1863).
Élie Cabrol - Patron Sponsor of Moreau's paintings.
Aristide Cavaillé-Coll - Organ factor Creator of the classified organ (1874).
Jacques Abbal - Sculptor Author of the altars (1864).

Origin and history

The parish church of Notre-Dame de Decazeville was built between 1847 and 1873 to replace the old church of Vialarels, threatened by nearby mining operations. Its architecture, designed by Antoine-Martin Garnaud (Prix de Rome 1817), is inspired by Roman and Paleo-Christian basilicas, with a single vaulted nave on pendants and narrow collaterals. Partly financed by François Cabrol's Coal Company, it reflects the local industrial boom.

The first stone was laid in 1847 by Monsignor Crozier, and the building was consecrated in 1861, although the bell tower was not completed until 1873. Built in the tuff of Saint-Antonin, the church is distinguished by its western porch inspired by paleo-Christian narthex and its stripped side façades, evoking the industrial halls of Decazeville. The stained glass windows, made by the Goussard workshop, and the cross path painted by Gustave Moreau in 1863 (commanded by Élie Cabrol) enrich his interior decor.

Ranked as a historical monument in 2019, the church houses a Cavaillé-Coll organ (1874, classified in 1994) and a carillon of 1880. It underwent restorations in 2008 (glass windows) and 2011 (coupole). Since 2017, it has hosted pilgrims from Via Podiensis, except in 2020. His furniture, including altars carved by Jacques Abbal (1864), is referenced in the Palissy base.

The building illustrates stylistic research by Antoine-Martin Garnaud, who published Études d'architecture christique in 1857, proposing models of churches adapted to the 19th century. The 14 paintings of the Way of the Cross, refused by Moreau, were classified in 1965. In 1924, bays were pierced and the apse painted by Jean Ningres, modernizing lighting and decoration.

External links