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Saint-Aignan d'Ivoy-le-Pré Church dans le Cher

Patrimoine classé
Patrimoine religieux
Eglise
Cher

Saint-Aignan d'Ivoy-le-Pré Church

    Place des Tilleuls
    18380 Ivoy-le-Pré
Ownership of the municipality

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
XIIIe siècle
Construction nave and apse
1520-1532
Lateral hats added
après 1890
Reconstruction of the bell tower
26 janvier 1927
Registration Historic Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Doc. G 92): Registration by decree of 26 January 1927

Key figures

Claude Dumas - Sponsor Finished the northern chapel (1520-1532).
Adrien de Hangest - Sponsor Finished the southern chapel (1520-1532).
Octave Guérin - Architect Reconstructs the bell tower after 1890.

Origin and history

The Saint-Aignan church of Ivoy-le-Pré, classified as a Historical Monument, has a composite structure reflecting several epochs. The nave and eastern apse, characteristic of the primitive Gothic style, were built in the 13th century. These founding elements illustrate the rural religious architecture of this period, marked by ornamental sobriety and a search for moderate verticality.

At the beginning of the sixteenth century (between 1520 and 1532), two side chapels were added on both sides of the nave, sponsored by Claude Dumas and Adrien de Hangest. These early Renaissance chapels introduce more elaborate decorations, typical of the transition between the Middle Ages and the modern era. The southern chapel housed a fresco depicting the legend of Notre-Dame de Lorette, still visible at the end of the 19th century, highlighting the importance of Marian cults in the region.

The current bell tower was rebuilt after 1890 by architect Octave Guérin, based in Bourges. This late intervention probably met structural or aesthetic needs, in a context of frequent restoration of religious buildings in France at the end of the 19th century. The church, a communal property since its inscription in 1927, thus preserves traces of nearly seven centuries of architectural and spiritual history.

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