Construction nave and apse XIIIe siècle (≈ 1350)
Early Gothic edification to the east.
1520-1532
Lateral hats added
Lateral hats added 1520-1532 (≈ 1526)
Order of Claude Dumas and Adrien de Hangest.
après 1890
Reconstruction of the bell tower
Reconstruction of the bell tower après 1890 (≈ 1890)
Work by Octave Guérin, architect.
26 janvier 1927
Registration Historic Monument
Registration Historic Monument 26 janvier 1927 (≈ 1927)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Doc. G 92): Registration by decree of 26 January 1927
Key figures
Claude Dumas - Sponsor
Finished the northern chapel (1520-1532).
Adrien de Hangest - Sponsor
Finished the southern chapel (1520-1532).
Octave Guérin - Architect
Reconstructs the bell tower after 1890.
Origin and history
The Saint-Aignan church of Ivoy-le-Pré, classified as a Historical Monument, has a composite structure reflecting several epochs. The nave and eastern apse, characteristic of the primitive Gothic style, were built in the 13th century. These founding elements illustrate the rural religious architecture of this period, marked by ornamental sobriety and a search for moderate verticality.
At the beginning of the sixteenth century (between 1520 and 1532), two side chapels were added on both sides of the nave, sponsored by Claude Dumas and Adrien de Hangest. These early Renaissance chapels introduce more elaborate decorations, typical of the transition between the Middle Ages and the modern era. The southern chapel housed a fresco depicting the legend of Notre-Dame de Lorette, still visible at the end of the 19th century, highlighting the importance of Marian cults in the region.
The current bell tower was rebuilt after 1890 by architect Octave Guérin, based in Bourges. This late intervention probably met structural or aesthetic needs, in a context of frequent restoration of religious buildings in France at the end of the 19th century. The church, a communal property since its inscription in 1927, thus preserves traces of nearly seven centuries of architectural and spiritual history.