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Church of Saint-Alor d'Ergué-Armel à Quimper dans le Finistère

Patrimoine classé
Patrimoine religieux
Eglise gothique
Clocher-mur
Finistère

Church of Saint-Alor d'Ergué-Armel

    Ergué-Armel, Rue de Saint-Alor
    29000 Quimper
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Église Saint-Alor dErgué-Armel
Crédit photo : Thesupermat - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
XVIe siècle
Construction begins
XVIIe siècle
Adding the Western Gable
XIXe siècle
Renovation of the choir and sacristy
1921
Reuse of Calvary
2 décembre 1926
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church: registration by decree of 2 December 1926

Key figures

Saint Alor - Third Bishop of Quimper Dedication of the church.
Joseph Bigot - 19th century architect Choir designer and sacristy.
Claude Apert - 18th century goldsmith Author of the 1769 chalice.
Charles Chaussepiel - Sculptor of the 20th century Re-used the calvary in 1921.

Origin and history

Saint-Alor Church, located in Quimper, Finistère, is a religious building marked by two architectural styles: late Gothic and classical. It is dedicated to Saint Alor, the third bishop of Quimper. Its construction began in the 16th century with the nave, choir, south porch and ossuary, the latter later transformed into a chapel of the Fonts-Baptismaux.

In the 17th century, the western gable was added, while the choir and sacristy, designed by architect Joseph Bigot, date from the 19th century. The church was listed as a historic monument in 1926. Its lateral porch, with its ivy vault and its panelled frame, illustrates Breton Gothic style. Nearby, a 17th century granite fountain and a 16th century calvary, reused in 1921 for the monument to the dead, complete this heritage complex.

The church furniture includes notable pieces such as an 18th century silver baptism shell, a 1769 chalice by the silversmith Claude Apert, as well as a 19th and 19th century shuttle and patena. These elements reflect the historic and artistic richness of the site, rooted in the religious and cultural landscape of Quimper.

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