Initial construction XIe siècle (≈ 1150)
Nef and original Romanesque berries.
Fin XIIe siècle
Reconstruction of the choir
Reconstruction of the choir Fin XIIe siècle (≈ 1295)
Apse in vaulted cul-de-four.
XIVe siècle
Construction of the bell tower
Construction of the bell tower XIVe siècle (≈ 1450)
Two bays, typical regional.
XVIe siècle
Fortification during the Wars of Religion
Fortification during the Wars of Religion XVIe siècle (≈ 1650)
Killer room.
1871
Renovation under Bishop Donnet
Renovation under Bishop Donnet 1871 (≈ 1871)
Porch added, remodeled bell tower.
28 décembre 1996
Historical Monument
Historical Monument 28 décembre 1996 (≈ 1996)
Protection of the building and cemetery.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church, with the exception of the 19th century sacristy; floor and basement of its cemetery with its cross and fence walls (cad. AK 98, 97): registration by order of 28 December 1995
Key figures
Duc d’Épernon - Military leader during the Fronde
Troops accused of damaging the abside.
Mgr Donnet - Archbishop of Bordeaux (XIXth century)
Initiator of the 1871 works.
MM. Samazeuilh, Vibert et Largeteaux - Donors of stained glass (1876)
Parish financers of the north windows.
Mme Gilloux - Giver of a stained glass window (1877)
Contribution to interior decorations.
Origin and history
The church Saint-André de Cénac, located in the Gironde department in Nouvelle-Aquitaine, is a religious building dating back to the 11th century. Its nave walls still retain original Romanesque berries, while the choir, rebuilt at the end of the 12th century, has an apse in arched cul-de-four in cradle. The bell tower, probably erected in the 14th century, is preceded by a porch added in 1871. The ensemble illustrates a sober architecture, typical of the small rural churches of the region, with defensive elements added later.
During the Wars of Religion (16th century), the church was fortified: a room of shooting with murderers was built above the apse, bearing witness to local tensions. It was also reported that L-abside suffered damage during the Fronde, attributed to the Duke of Epernon's troops. These military changes contrast with the original Romanesque decoration, including the figurative modillons of the bedside, representing human heads, fantastic animals and geometric motifs, without explicit moralizing message.
In the 19th century, the building underwent major changes: the choir and the bays of the nave were taken over, a sacristy built before 1860, and the base of the bell tower was transformed in 1871 under the impulse of Bishop Donnet, Archbishop of Bordeaux, who considered the bell tower "unsuited". The stained glass windows, offered by parishioners between 1876 and 1877, date from this period. Two canonial dials, traces of medieval liturgical use, remain on the southern wall of the nave.
The church, surrounded by a cemetery closed since 1610, houses a cemetery cross with canned barrel and cubic base, as well as outcropping stone sarcophagi. Nearby, two other crosses (path and mission) mark the local religious landscape. Ranked a Historical Monument in 1996, it embodies almost a thousand years of history, mixing spiritual, defensive and community functions.
The capitals of the portal, moved in 1871, had a vegetal decoration today eroded, while the bedside modillons, though rough, offer an overview of regional Romanesque iconography. Their current arrangement, perhaps altered during fortifications, reflects the upheavals suffered by the building. Sources also mention traces of two canonial dials on the south wall, tools for measuring liturgical time in the Middle Ages.
Finally, the church Saint-André is distinguished by its bell tower-wall with two bays, rare type in Gironde, and its porch added late. The stained glass windows of the last quarter of the 19th century, donated by local families (Samazeuilh, Vibert, Largeteaux, Gilloux), testify to parish vitality at that time. The building, owned by the municipality, remains a symbol of the Romanesque and post-Girondin medieval heritage.
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