Initial construction début XIIe siècle (≈ 1204)
Romanesque building dedicated to Saint Andrew.
XVIe siècle
Addition of the south vault
Addition of the south vault XVIe siècle (≈ 1650)
Late architectural modification.
5 juin 1923
Historical monument classification
Historical monument classification 5 juin 1923 (≈ 1923)
Protection of the entire building.
1959
Decommissioning of damaged statues
Decommissioning of damaged statues 1959 (≈ 1959)
Withdrawal of protection for certain works.
1913 et 1966
Classification of statues
Classification of statues 1913 et 1966 (≈ 1966)
Protection of religious objects.
1975
Classification of tables
Classification of tables 1975 (≈ 1975)
Protection of two historical canvases.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: by decree of 5 June 1923
Key figures
Saint André - Church patron
Apostle to whom the building is dedicated.
Lorenzo Lotto - Italian painter (XVI century)
Original author of *The Adultery Woman* (copy present).
Origin and history
The church of Saint-André de Marfaux, located in the village of the same name in the Grand East region, is a Romanesque religious building built in the early 12th century. It is dedicated to St Andrew, one of the twelve apostles of Christ. Its Romanesque style includes a carpented vault, a triumphal arch adorned with acanthe-leaf capitals, and a cul-de-four apse decorated with lumbar-style exterior arches. The now missing north side suggests partial modifications or destruction over the centuries, while the vault of the south arm, added in the sixteenth century, bears witness to a subsequent architectural evolution.
The church houses a remarkable collection of statues and sculptures classified as historical monuments, mainly between 1913 and 1966. Among these works are a stone statue of a 15th century apostle, as well as 16th century wooden statues depicting the Virgin with the Child, Saint Anne Trinitarian, Saint John, and Saint Christophe. A sculpture by Saint Eloi of the seventeenth century and a stone carved group complete this ensemble. Some statues, such as those of St. John the Baptist and St.Sebastien (XVth–XVIth centuries) or St.Nicolas (XVIIth century), were declassified in 1959 because of their state of degradation. Two paintings on canvas, classified in 1975, also adorn the building: an ancient copy of Lorenzo Lotto's Adultery Woman and a representation of Esther in front of Ahasuerus, dating back to the 17th century.
Classified as a historical monument by decree of 5 June 1923, the church Saint-André illustrates the importance of medieval religious heritage in the Marne. Its protection extends to the entire building, highlighting its architectural and artistic value. The movable objects it preserves, although partially damaged or downgraded, offer an overview of devotional practices and artistic styles in effect between the Middle Ages and the modern era. The location of Marfaux, in the former Champagne-Ardenne region, now integrated into the Grand Est, reinforces its anchoring in a territory marked by a strong Christian and wine tradition since the Middle Ages.
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