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Église Saint-André de Saint-André-en-Vivarais en Ardèche

Église Saint-André de Saint-André-en-Vivarais

    8 Place de L’Eglise
    07690 Saint-André-en-Vivarais

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
vers 1130
Construction of the castle
XIVe siècle
Foundation of the parish
1562-1598
Wars of Religion
1793
Church closure
1802
Reopening to worship
1859
Reconstruction project
1860
Start of work
29 août 1866
Church Consecration
1869
Installation of stained glass windows
1906
Church inventory
1925-1929
Set bells
1971
Church renovation
2003
Creation of the present parish
Aujourd'hui
Aujourd'hui

Key figures

Arthaud de Beaudiner - Local Lord Founded the castle around 1130.
Louis Besset - Architect Designed the neo-Roman church in 1860.
Jacques Moulin - Entrepreneur Completed the construction work.
Pie IX - Pope (1846-1878) Represented in a 1866 stained glass window.
Mgr Delcusy - Bishop of Viviers (1857-1876) Figure in a theologal window.
Père J.P. Marijon - Cure Builder Directed the construction until 1877.
Saint Jean-François Régis - Missionary Preached at Saint-André in 1636.
Amicie de Lacroix-Laval - Patron Offered a family window in 1869.
Pierre Jullien - Presumed craftsman Suspected author of the chair.
Mgr Jean Hermil - Bishop of Viviers Inaugura the church renovated in 1971.

Origin and history

The Saint-André church of Saint-André-en-Vivarais, located in Ardèche in the Auvergne-Rhône-Alpes region, is a neo-Roman-style building built in the mid-19th century. Designed by architect Louis Besset de Tournon-sur-Rhône and entrepreneur Jacques Moulin de Lamastre, it replaces an old church considered too small and old. Its construction site, launched in 1860 after a parish subscription, was completed in 1866 with the consecration of the building. Materials, such as the Haute-Loire stone or the basalt lauze, highlight its regional anchoring.

The village of Saint-André-en-Vivarais, born at the foot of a castle built around 1130 by Arthaud de Beaudiner, sees its parish founded in the 14th century under the authority of the diocese of Valencia. The Wars of Religion (1562-1598) and the Revolution (closure of the church in 1793) mark its history, before it reopened to worship in 1802. The present church, rich in 19th century stained glass windows and sculptures like the Great Christ on the Cross (classified in 1974), embodies the local religious vitality, between traditions and liturgical adaptations (Vatican Council II).

The stained glass windows, offered by noble families (such as the Lacroix-Laval) or congregations (Sisters of Saint Joseph), celebrate saints and theological virtues. Charity, Faith and Hope are accompanied by portraits of Pius IX or Bishop Delcusy, Bishop of Viviers. The bells, installed between 1925 and 1929, and the re-used Romanesque capitals recall the link between medieval past and modernity. The church, renovated in 1971, remains a place of memory, as evidenced by its commemorative painting of the Great War.

The architecture mixes apparent granite, interior coatings and various roofs (tiles, lauze, slates). The bell tower, completed in 1865, dominates a nave in the Latin cross, while the two-level sacristy illustrates spatial ingenuity. The stones of Lapte and Crouzilhac (Haute-Loire) reinforce his Victorian identity. Saint Andrew, patron saint of the church, is honored with local figures like Saint John Francis Régis, who came to preach in 1636.

Parish life evolved with ecclesiastical reforms: attached to the Diocese of Mende in 1802, then to Viviers in 1822, the parish became part of the Saint-Agrève ensemble in Vivarais in 2003. The parish priests, such as Father Marijon (builder) or Noël Vey (in 1971), animate a community marked by family gifts (glasses, statues). The 1906 inventory, within the framework of the law of separation, also recalls tensions between the State and the Church.

Today, the Church of St Andrew, listed in the General Inventory of Cultural Heritage, embodies an artistic, historical and spiritual heritage. Its furniture elements (confessionnals, pulpit attributed to Pierre Jullien) and its sundial on the facade invite you to discover a living heritage, between medieval memory and contemporary adaptations.

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