Construction of church 1457–1494 (≈ 1476)
Under the episcopate of Jean Bayle, the parish was founded.
1630
Repair of the choir
Repair of the choir 1630 (≈ 1630)
Date engraved on the triumphal arch.
1913
Painting of the eardrum
Painting of the eardrum 1913 (≈ 1913)
Registration *"Domus mea domus orationis"*.
1968
Discovery of frescoes
Discovery of frescoes 1968 (≈ 1968)
Under the pulpit to preach.
9 novembre 1984
Historical monument classification
Historical monument classification 9 novembre 1984 (≈ 1984)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Case C 411): registration by order of 9 November 1984
Key figures
Jean Bayle - Sponsored bishop
Authorized the construction and parish.
Origin and history
The church of Saint-Antoine d'Eygliers, located in the Hautes-Alpes, was built between 1457 and 1494 under the episcopate of Jean Bayle, who authorized the creation of the parish of Saint-Antoine-de-Bouchet. Its architecture combines limestone bellows, river pebbles and Guillestre's pink marble elements, such as angle chains and carved capitals. The nave, vaulted in a broken cradle, and the ogival choir illustrate the late Gothic style, while wall paintings from the 15th to 16th century adorn the interior.
The south gate, whose painted tympanum bears the inscription "Domus mea domus orationis vocabitur" (1913), and the polygonal tuff bell tower bear witness to subsequent restorations. An engraved date (1630) on the choir arch suggests a renovation at this time. Classified as a historical monument in 1984, the church benefited from restorations that same year, revealing frescoes hidden under the pulpit in 1968. Its furniture and structure reflect both its religious use and its anchor in local history.
The materials used – shale for roofing, lime mortar, and marble columns – highlight adaptation to regional resources. The coat of arms of Jean Bayle, carved on a capital, recalls his role in the foundation of the building. The appentis housing the main entrance and the curved bays of the bell tower add to its distinctive character, mixing functionality and ornaments. The church remains today a communal heritage open to the visit, symbol of the medieval and religious heritage of the Hautes-Alpes.
Announcements
Please log in to post a review