Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Saint-Antoine d'Eygliers Church dans les Hautes-Alpes

Patrimoine classé
Patrimoine religieux
Caquetoire
Eglise romane et gothique
Hautes-Alpes

Saint-Antoine d'Eygliers Church

    D37L
    05600 Eygliers
Église Saint-Antoine dEygliers
Église Saint-Antoine dEygliers
Église Saint-Antoine dEygliers
Église Saint-Antoine dEygliers
Église Saint-Antoine dEygliers
Église Saint-Antoine dEygliers
Crédit photo : Sébastien HOSY - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1457–1494
Construction of church
1630
Repair of the choir
1913
Painting of the eardrum
1968
Discovery of frescoes
9 novembre 1984
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Case C 411): registration by order of 9 November 1984

Key figures

Jean Bayle - Sponsored bishop Authorized the construction and parish.

Origin and history

The church of Saint-Antoine d'Eygliers, located in the Hautes-Alpes, was built between 1457 and 1494 under the episcopate of Jean Bayle, who authorized the creation of the parish of Saint-Antoine-de-Bouchet. Its architecture combines limestone bellows, river pebbles and Guillestre's pink marble elements, such as angle chains and carved capitals. The nave, vaulted in a broken cradle, and the ogival choir illustrate the late Gothic style, while wall paintings from the 15th to 16th century adorn the interior.

The south gate, whose painted tympanum bears the inscription "Domus mea domus orationis vocabitur" (1913), and the polygonal tuff bell tower bear witness to subsequent restorations. An engraved date (1630) on the choir arch suggests a renovation at this time. Classified as a historical monument in 1984, the church benefited from restorations that same year, revealing frescoes hidden under the pulpit in 1968. Its furniture and structure reflect both its religious use and its anchor in local history.

The materials used – shale for roofing, lime mortar, and marble columns – highlight adaptation to regional resources. The coat of arms of Jean Bayle, carved on a capital, recalls his role in the foundation of the building. The appentis housing the main entrance and the curved bays of the bell tower add to its distinctive character, mixing functionality and ornaments. The church remains today a communal heritage open to the visit, symbol of the medieval and religious heritage of the Hautes-Alpes.

External links