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Église Saint-Antoine de Savigny-sous-Malain à Savigny-sous-Mâlain en Côte-d'or

Patrimoine classé
Patrimoine religieux
Eglise gothique
Côte-dor

Église Saint-Antoine de Savigny-sous-Malain

    Le Bourg
    21540 Savigny-sous-Mâlain
Église Saint-Antoine de Savigny-sous-Mâlain
Église Saint-Antoine de Savigny-sous-Mâlain
Église Saint-Antoine de Savigny-sous-Mâlain
Église Saint-Antoine de Savigny-sous-Mâlain
Crédit photo : Velvet - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
XIVe siècle
Construction of church
XVIe siècle
Erection of the Cross
6 mars 1950
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The church and the 16th century cross in the cemetery: inscription by decree of 6 March 1950

Origin and history

The church of Saint-Antoine de Savigny-sous-Malain, built in the 14th century, presents a nave covered with a wooden frame with apparent entry, while the choir and transepts are vaulted with warheads. A wall painting adorns the transept, adding to its historical character. This monument illustrates Burgundian medieval religious architecture, with Gothic elements typical of the period.

In the 16th century, a monumental cross was erected in the adjacent cemetery. It displays, on one side, a representation of Christ, and on the other, that of the Virgin. Its quadrangular base, decorated with shields, antelope and various attributes, bears witness to the funeral art of the Renaissance. This cross, associated with the church, is classified as Historic Monument by decree of 6 March 1950.

The building, owned by the municipality, embodies the local religious heritage. Its architecture combines medieval techniques (warves vaults, visible structure) and reborn additions (sculpted crust), reflecting artistic evolutions between the Middle Ages and the modern era. The accuracy of its location remains poor (level 5/10), depending on available sources.

The protected elements include both the church and the 16th century cross. Their preservation allows us to study religious practices, Christian iconography and construction techniques in Burgundy between the 14th and 16th centuries. The lack of details about sponsors or artisans, however, limits the knowledge of their creative context.

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