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Saint Barthélemy Church of Montgey dans le Tarn

Patrimoine classé
Patrimoine religieux
Eglise
Eglise gothique
Tarn

Saint Barthélemy Church of Montgey

    Le village
    81470 Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Église Saint-Barthélemy de Montgey
Crédit photo : Pinpin - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
XVe siècle
Main construction
XVIe siècle (hypothèse)
Possible changes
19 mars 1979
Registration Historic Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Church (former) (Box A 164): inscription by decree of 19 March 1979

Origin and history

The Saint-Barthélemy church in Montgey, listed as a Historic Monument, is a Gothic-style building built mainly in the 15th century. Its unique nave, extended by a seven-part choir, and its two lateral chapels to the north reflect a typical architecture of this period. The entrance, located to the south, is surmounted by a porch later added, while the door in the middle hanger has two carved medallions.

The bell tower, of square base, rises to the west and ends in octagon on two levels, a notable architectural peculiarity. Although some parts, such as the nave and the bell tower, may date from the 16th century according to assumptions, the building retains stylistic elements consistent with the 15th century. The church, now owned by the commune, was inscribed in the Historical Monuments by order of 19 March 1979.

The location of Montgey in the Tarn in Occitanie places this building in a rural context where parish churches played a central role in medieval community life. These buildings served not only as places of worship, but also as social and cultural landmarks for the inhabitants. Their architecture, often sober but symbolic, reflected both local resources and regional influences, as evidenced by the Gothic choices of Saint Barthélemy.

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