Foundation of the Priory of Doctrinaires 1686 (≈ 1686)
Initial presence on the current site
1772-1773
Creation of the parish of Saint-Charles
Creation of the parish of Saint-Charles 1772-1773 (≈ 1773)
Foundation by Bishop Becdelièvre and the King
1774-1776
Construction of church
Construction of church 1774-1776 (≈ 1775)
Work by Claude Rollin
1801
Recovery as a cure
Recovery as a cure 1801 (≈ 1801)
After the revolutionary ruin
1856-1886
Major expansions
Major expansions 1856-1886 (≈ 1871)
Extension of the choir and sacristy
2010
Historical monument classification
Historical monument classification 2010 (≈ 2010)
Enrolment in full with parvis
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The church, with its annexes and parvis, in full (Box DO 175): inscription by decree of 9 August 2010
Key figures
Claude Rollin - Architect
Church Designer (1774-1776)
Mgr de Becdelièvre - Bishop
Founded the parish of Saint Charles
Libourel - Municipal architect
Directed enlargements (XIXth century)
Origin and history
Saint-Charles de Nîmes, a neo-classical church, was built between 1774 and 1776 by the architect Claude Rollin on the site of a former priory of the Doctrinaries, founded in 1686. Its creation responded to the demographic expansion of Nîmes, a city that was then prosperous thanks to its textile industries (sawmills, dyeing). Saint-Charles-Borromée parish was officially established between 1772 and 1773 by Bishop de Becdelièvre, with royal support, to serve the growing suburbs.
During the Revolution, the building was damaged before being restored as a cure in 1801. Between 1856 and 1886, major works were undertaken under the direction of architect Libourel: the choir was enlarged, two spans added, and the sacristy moved to accommodate an expanding Catholic community (1,400 places per 8,000 faithful). These changes reflected the needs of a dynamic parish, incorporating decorative elements "troubadour" in the 19th century.
Architecturally, the church combines neo-classical simplicity and Jesuit influences: a single nave divided into spans, side chapels, and a vault culminating at 18.65 m. The facade, decorated with a triangular pediment and pilasters, contrasts with Louis XV Bay above the gate. Classified as a historical monument in 2010, it reflects the urban and religious transformations of Nîmes, between the Ancient Regime and the contemporary era.
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