Foundation of the Priory 1052 (≈ 1052)
Link to the Abbey of the Chair-God.
XIIe siècle (début)
Initial construction
Initial construction XIIe siècle (début) (≈ 1215)
Romanesque building with polychrome decorations.
1665
Renovation of the choir
Renovation of the choir 1665 (≈ 1665)
Recapture of the choir walls.
1741
Modification of the bell tower
Modification of the bell tower 1741 (≈ 1741)
Change of plan and strengthening.
1832
Vicarial chapel
Vicarial chapel 1832 (≈ 1832)
Change of religious status.
1892
Internal work
Internal work 1892 (≈ 1892)
Masking of the dome (architect Varmaire).
1923
Repair of vaults
Repair of vaults 1923 (≈ 1923)
Intervention by Albert Lairet.
2004
Historical Monument
Historical Monument 2004 (≈ 2004)
Full protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (C 1570: inscription by decree of 13 October 2004
Key figures
Abbaye de la Chaise-Dieu - Founding religious institution
Owner of the priory from 1050.
Architecte Varmaire - Head of Work (1892)
Directed the interior modification.
Albert Lairet - Entrepreneur (1923)
Repair damaged vaults.
Origin and history
The church of Saint-Domnn of Saint-Denis-Combarnazat, probably built at the beginning of the twelfth century, initially depended on a priory founded in 1052 by the Abbey of the Chair-God. This priory brought together the churches of Saint-Denis and Barnazat. The building, characteristic of auvergnat Romanesque art, is distinguished by its western facade adorned with saw teeth and polychrome diamonds in arkose and tuff. Inside, the unique nave, composed of two vaulted bays in a full-cintra cradle, precedes a choir in a flat bedside cradle, preceded by a span covered with a dome on trunks. The foothills in medium arcosis apparatus and the committed quadrangular pillars underline the sober but elaborate structure of the church.
In the 17th century, the walls of the choir were taken over in 1665, marking the first major renovations of the building. The bell tower, for its part, was modified in 1741, adopting a plan passing from the rectangular to the square, supported by the existing foothills. In the 19th century, works led by the architect Varmaire in 1892 partially transformed the interior: the dome on tubes was masked by a false ceiling, and repairs were made to the vaults, notably in 1923 by the entrepreneur Albert Lairet. These interventions reflect the Church's successive adaptations to liturgical and structural needs, while preserving original Romanesque elements such as the reticulated tympanic portal.
Among the notable architectural details, a carved stone embedded in the north foothill, probably a chancel plate, attracts attention. The exterior decor, sober but elaborate, is based on sets of contrasting devices (light and dark arkosis) and movements of archvolts. The church, classified as a Historical Monument in 2004, bears witness to nearly a thousand years of religious and architectural history, linked to the influence of the God's Chair and to local developments. The latest changes, such as the resumption of the portal and the coatings in the 20th century, complete to seal its present appearance, mixing medieval heritage and modern adaptations.
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