Interior Gothic inscription 1577 (≈ 1577)
Date engraved inside the church.
1592
Foundation of the bell tower
Foundation of the bell tower 1592 (≈ 1592)
Commemorative registration at its base.
1631
Completion of bedside
Completion of bedside 1631 (≈ 1631)
Date on bedside.
1er juin 1927
Registration Historic Monument
Registration Historic Monument 1er juin 1927 (≈ 1927)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box A 458): registration by order of 1 June 1927
Key figures
Information non disponible - No character cited
The source text does not mention any names.
Origin and history
The Saint-Eguiner church of Loc-Eguiner, listed as a Historic Monument, has a remarkable architecture with three naves of the same size. Its bell tower, applied out of work on the western facade, consists of a square tower surmounted by two openworked lanterns, themselves bent by an arrow. An inscription at its base, dated 1592, commemorates its foundation, while inside another Gothic inscription bears the date of 1577. These elements attest to the early stages of construction during the second half of the 16th century.
The three-sided bedside, ending in the central nave, brings the date of 1631, marking the completion or major phase of the work in the first half of the seventeenth century. The building, owned by the municipality of Loc-Eguiner (Finistère), was entered in the inventory of Historical Monuments by order of 1 June 1927. Its plan and architectural details reflect the local traditions of the modern era, mixing Gothic and Renaissance influences.
Located in the Finistère department in Brittany, this church illustrates the central role of places of worship in the social and religious organization of the Breton rural communities between the 16th and 17th centuries. At that time, parish churches served not only as a framework for the offices, but also as a gathering place for collective decisions, celebrations and commemorations. Their construction and embellishment often reflect the relative prosperity of parishes, supported by local agricultural, artisanal or commercial activities.
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