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Saint-Étienne de Belcastel Church dans le Tarn

Patrimoine classé
Patrimoine religieux
Eglise gothique
Tarn

Saint-Étienne de Belcastel Church

    Centre Ville D35
    81500 Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Église Saint-Étienne de Belcastel
Crédit photo : Xavier Guillot - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1518
Bell dated
1524
Construction start
1584
Construction of the bell tower
XVIIIe siècle
Adding gypsum
XIXe siècle
Completion of bedside
11 septembre 1999
Inauguration of the Way of the Cross
27 mai 2004
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

The entire church (Box A 391): inscription by order of 27 May 2004

Key figures

Casimir Ferrer - Artist Author of the Way of the Cross (1999).
Bernadette Chirac - Political personality Inaugurate the path of the cross in 1999.
Atelier Ceroni - Decorator Realizes the 19th century vaults.

Origin and history

The church of Saint-Étienne de Belcastel, located in the Tarn in Occitanie, has its origins in the sixteenth century. Originally a simple chapel dependent on the castle of Belcastel (damaged during the French Revolution), it bears the dates of 1524 and 1584, engraved respectively in the southern chapel and on a stone of the bell tower screw. These dates mark the early stages of its construction, although the building remained unfinished until the 19th century.

In the 18th century, the church underwent major transformations with the addition of a ceiling and gypsies, reflecting the decorative tastes of the era. The 19th century saw the total reconstruction of the bedside and the addition of arches on warheads, carried out by the workshop Ceroni. These modifications finally completed the building, while preserving Gothic elements such as the three-span nave and the five-span choir.

The bell tower, older than the rest of the church (15th century), is a massive sandstone structure, reinforced by four foothills. A circular staircase from the first floor is on the north side of the building. The second floor, housing the bells (one of which was dated 1518), has a partially corbelled gallery, once serving as a round road. This bell tower, with its defensive appearance, bears witness to the security concerns of medieval and modern times.

Inside the church houses three paintings, including a copy of a work by Sebastiano del Piombo, as well as a wooden sacristy door studded with wrought iron, decorated with a coat of arms. In 1999, Bernadette Chirac inaugurates a path of the cross in 14 paintings by Casimir Ferrer, adding a contemporary touch to this historical heritage. The building, owned by the commune, has been listed as historic monuments since 27 May 2004.

Architecturally, the church blends defensive elements (fortified hatchery), gothic elements (nave and choir) and classical elements (18th century gypseries). Its history reflects the artistic and religious developments of the region, from its foundation as a castral chapel to its late completion and heritage protection.

External links