First mention of the church 1092 (≈ 1092)
Written trace of the existing Romanesque bell tower.
1562-1584
Pre-porch construction
Pre-porch construction 1562-1584 (≈ 1573)
Work by the parish priest Jean d'Orchamps, Renaissance style.
1737
Start of nave restoration
Start of nave restoration 1737 (≈ 1737)
Stone engraved in the name of the parish priest Chauvey.
1787
Reconstruction of the nave
Reconstruction of the nave 1787 (≈ 1787)
After his previous collapse.
9 septembre 1913
Historical monument classification
Historical monument classification 9 septembre 1913 (≈ 1913)
Protection of the bell tower and porch.
7 septembre 1992
Registration of altar table
Registration of altar table 7 septembre 1992 (≈ 1992)
Furniture object classified as MH.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Bell and porch: by order of 9 September 1913
Key figures
Jean d’Orchamps - Curé de Boussières (16th century)
Sponsor of the foredog in 1562-1584.
C. Chauvey - Priest (18th century)
Initiator of the restoration of 1737.
Origin and history
The church of Saint-Étienne de Boussières, mentioned in 1092, preserves its bell tower, rare example of Romanesque art in Franche-Comté. This bell tower, thirty-two metres high, is marked with Lombard bands and houses two historic bells: George Claudine (940 kg) and George Marie-Berthe (800 kg), the latter engraved with a poetic inscription on life and death.
In the 16th century, the parish priest Jean d'Orchamps had the foreground erected between 1562 and 1584, as evidenced by the date engraved above the vault key. This porch, vaulted in a cross-dogives, bore the arms of the Orchamps family and served as a place for parish reconciliation ceremonies, essential to allow the faithful in conflict to "do their Easter". The nave, collapsed and rebuilt in 1787, incorporates an engraved stone of 1737, recalling the restoration initiated by parish priest C. Chauvey.
Ranked a historic monument in 1913 for its bell tower and porch, the church houses remarkable furniture: an 18th century polychrome altar-table (registered in 1992) and carved wooden baptismal fonts of the 13th century. It now depends on the parish of Notre-Dame-du-Mont, in the diocese of Besançon, and remains an architectural testimony of stylistic evolutions between the Middle Ages and the Renaissance.
Its access is facilitated by line 54 of the Ginko network, highlighting its anchoring in contemporary local life. The bells, which are still in operation, are the rhythm of the village life, while the site enjoys a precise location (1 Church Street, Busses) and communal protection.
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