Presumed construction XIIIe siècle (seconde moitié) (≈ 1350)
Edited by Raimond-Béranger for the "Castro de Gravellis".
XIVe siècle
Dedication to Saint Stephen
Dedication to Saint Stephen XIVe siècle (≈ 1450)
First mention of his current term.
1617
Certification of a lost retable
Certification of a lost retable 1617 (≈ 1617)
Representative Saint John and Saint Anthony.
1789-1799
Loss of parish status
Loss of parish status 1789-1799 (≈ 1794)
The consequence of the French Revolution.
21 mars 1983
Historical monument classification
Historical monument classification 21 mars 1983 (≈ 1983)
Official protection of the building and its chapel.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Saint-Etienne (cad. G 16): Order of 21 March 1983
Key figures
Raimond-Béranger - Count of Provence
Suspected commander of the church in the 13th century.
Origin and history
The church Saint-Étienne de Gréolières is a Catholic building located in the department of Alpes-Maritimes, in the commune of Gréolières, in the hamlet of Hautes-Gréolières. Built probably in the second half of the 13th century, it is attributed to the Count of Provence Raimond-Béranger, who would have made it the parish church of Castro de Gravellis Superiobus. Its modest architecture includes a broken vaulted nave and a semicircular apse covered with a cul-de-four, with a lateral double bell tower.
The church was originally united with a canonicat of the cathedral of Vence and dedicated to St Stephen from the fourteenth century. She lost her parish function during the Revolution. Classified as a historical monument on 21 March 1983, it preserves traces of its original furniture, as a 15th century altarpiece today transferred to the church of Saint Peter of Gréolières. Another altarpiece, missing, decorated the high altar in the seventeenth century, representing Saint John the Evangelist and Saint Anthony.
In the middle of the aircraft, L-abside contrasts with the rest of the building. The old altar table was reused to cover a vault in the choir. Despite its simplicity, the church illustrates medieval Provencal religious architecture, marked by Comtal influences and integration into the mountain landscape dominated by the Cheiron. Its classification reflects its heritage value, both historical and artistic.
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