Initial construction XIIIe siècle (≈ 1350)
Editing by the Abbey of Cerisy
XIVe siècle
Enlargement
Enlargement XIVe siècle (≈ 1450)
Added nave and turn-clocher
27 décembre 1913
MH classification
MH classification 27 décembre 1913 (≈ 1913)
Protection of the entire building
6 juin 1944
War damage
War damage 6 juin 1944 (≈ 1944)
Bell damaged on landing
1975
Classification of furniture
Classification of furniture 1975 (≈ 1975)
Table and table Protected assumption
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: by decree of 27 December 1913
Key figures
Raoul de L'Isles - Donor
Gives Mosles to the Abbey of Cerisy
Abbé de Cerisy - Sponsor
Have the church built in the 13th century
Curé de 1677 - Retable donor
Finance table signed Assumption
Origin and history
The church of Saint-Eustache de Mosles, located in the Calvados department in Normandy, was built in the 13th century under the impetus of the Abbey of Cerisy, to which Raoul de L'Isles had donated the village. This place of worship, originally modest, was enlarged in the 14th century with the addition of a nave and a bell tower, reflecting the Norman architectural influence of the time. The perceived tithe was shared between the abbey and the local priest, appointed by the monks.
Ranked a historic monument in 1913, the church suffered damage when Normandy landed in 1944, especially at the bell tower, requiring later restorations. A sacristy was added in the 20th century behind the choir. Its furniture, including a 17th century altarpiece, a Louis XVI high altar and classified paintings, bears witness to its religious and artistic importance.
The choir, the oldest part, presents rare sexpartite arches of warheads in Normandy, while the nave, covered with panelling, illuminates itself with windows with geminied lancettes. The bell tower, typical of nearby churches like Vaucelles or Cussy, combines blind archatures and oculus. The 1930 restorations and the post-1944 repairs preserved this medieval heritage.
The liturgical furniture includes statues of saints (Eustache, Georges, Martin), a cross path of 1875, and altars dedicated to Thérèse de Lisieux or the Sacred Heart. The pine benches, some reserved for families, as well as an eighteenth-century chair and stalls with non-figurative mercies, complete this historical ensemble.
The classified objects include the altarpiece and its painting of the Assumption (1677), three statues (1982), and a painting of the Adoration of the Shepherds (17th century), classified in 1917). These elements illustrate the artistic and devotional evolution of the building, linked to the Abbey of Cerisy until the Revolution.
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