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Saint-Felix Church of Armenteule à Armenteule dans les Hautes-Pyrénées

Patrimoine classé
Clocher-mur
Eglise
Eglise romane
Hautes-Pyrénées

Saint-Felix Church of Armenteule

    D25
    65510 Loudenvielle
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Église Saint-Felix dArmenteule
Crédit photo : Sotos - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Initial construction
XVe siècle
Wall paintings
XVIe siècle
Consolidation
1757
Portal north
1768
Modification of the bell tower
1994
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box A 353): registration by decree of 19 April 1994

Key figures

Raymond Sabatier? - Presumed Painter Possible author of frescoes (1589-1592).
Valerius Rusticus et Campana - Gallo-Roman dedications Mentioned on a stele discovered in 1877.

Origin and history

The church of Saint-Félix of Armenteule, located in Loudenvielle in the Hautes-Pyrénées, is a Romanesque building dating from the 12th century. It is distinguished by its semicircular apse decorated with Lombardic bands, typical of regional Romanesque architecture, and a bell tower-wall modified in 1768. The atypical orientation (choir to the west) and its isolated location on a hillside, bordering the D25, highlight its historical anchoring in the landscape.

The interior reveals a unique nave extended by an apse, later enlarged by two side chapels (North/South) and a sacristy. Among the remarkable elements are a 17th century altarpiece, a tabernacle of the same period, and wall paintings: a cul-de-four vault decorated in the 1950s, as well as a 15th century decoration depicting God the Father and the four Evangelists on starry background. These frescoes, attributed perhaps to an artist who worked in Bourisp (1589-1592), testify to the stylistic evolution of the monument.

Several transformations mark its history: consolidation by foothills in the 16th century, opening of a northern gate in 1757 (replacing a south gate), and modification of the bell tower in 1768 (engraved date). A Gallo-Roman stele discovered in 1877 in the nave, now extinct from the site, recalls the ancient occupation of the place. Classified as a historical monument in 1994, the church belongs to the commune and retains lapidary inscriptions (1757, 1768, 1777) traces of its past.

Architecturally, the building illustrates the transition between Romanesque and Gothic: Lombard arches of the abside, modillons of the bell tower, and false dogive vault in planks (south Chapter). Its Renaissance portal contrasts with Romanesque sobriety, while the bell tower, initially walled, adopts a rectangular section after 1768. These superpositions of styles make it a witness to local constructive practices, from the twelfth to the eighteenth centuries.

External links