Initial construction Fin XIe siècle (≈ 1195)
Presumed period of Romanesque construction
1590
Partial destruction of the bell tower
Partial destruction of the bell tower 1590 (≈ 1590)
Upper part of the destroyed bell tower
XIIe au XVIe siècle
Creation of interior frescoes
Creation of interior frescoes XIIe au XVIe siècle (≈ 1650)
Period of creation of murals
1862
Historical monument classification
Historical monument classification 1862 (≈ 1862)
Official building protection
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Église Saint-Genest : liste de 1862
Origin and history
The church Saint-Genest de Lavardin, located in the Loir-et-Cher department in the Centre-Val de Loire region, is a Roman Catholic religious building. Although its construction is generally dated from the late 11th century, its history is mainly associated with the 12th century, when it acquired its major characteristics. The church is singularized by its bell tower, whose bays are partially walled and whose upper part was destroyed in 1590. Inside, the building houses a remarkable set of frescoes made between the 12th and 16th centuries, long hidden under a lime coating before being rediscovered.
Classified as historical monuments in 1862, Saint-Genest Church illustrates the importance of Romanesque heritage in the region. His murals, painted in frescoes and wet, almost entirely cover the interior and testify to the artistic and religious evolution over centuries. The sculpted capitals, also present, add to the original richness of the building, reflecting the know-how of medieval artisans.
The church is now owned by the municipality of Lavardin and remains a major architectural and historical testimony of the Loir-et-Cher. Its state of conservation, despite partial destructions like that of the bell tower in 1590, allows to appreciate medieval construction and decoration techniques. Available sources, including Wikipedia and Monumentum, highlight its role in local religious and cultural heritage, as well as its documentary value for the study of Romanesque art and later artistic practices.
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