Foundation of the parish 832 (≈ 832)
First mention according to Abbé Gautier.
XIIIe siècle
Initial construction
Initial construction XIIIe siècle (≈ 1350)
Building of the base of the bell tower and chapel.
Fin XVe - milieu XVIe siècle
Flamboyant Gothic reconstruction
Flamboyant Gothic reconstruction Fin XVe - milieu XVIe siècle (≈ 1661)
Choir and chapel revealed after the Hundred Years' War.
1668
Restoration of the northern collateral
Restoration of the northern collateral 1668 (≈ 1668)
Date entered under a vault before 1990.
1785
Blessing of the bell
Blessing of the bell 1785 (≈ 1785)
Cloche named Renée, godmother: family of Maupeou.
1862
Construction of sacristy
Construction of sacristy 1862 (≈ 1862)
Expansion after moving the cemetery.
3 juillet 1969
Historical monument classification
Historical monument classification 3 juillet 1969 (≈ 1969)
Registered by ministerial decree.
1992-1993
Complete restoration
Complete restoration 1992-1993 (≈ 1993)
Discovery of unreconstituted murals.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (cad. 1940 C 756): inscription by decree of 3 July 1969
Key figures
Abbé Vital Jean Gautier - Local historian
Attests the foundation of the parish in 832.
Pierre Montier - Curé de Noisy in 1785
Blessed the bell named Renée.
Famille de Maupeou - Local Nobles
Donors of the bell and a altarpiece.
Abbé Dupuis - Curé and painter (1836-1887)
Author of the painting of the Virgin to the Child.
René de Maupeou - Marquis de Noisy (1663-1734)
Donor of the altar altar altar.
Abbé Robillard - Last resident priest
Left Noisy before 1929.
Origin and history
The church of Saint-Germain-d'Auxerre, located in Noisy-sur-Oise in Val-d'Oise, is a parish Catholic building whose foundation dates back to at least the 13th century, although the parish was attested as early as 832. Its current architecture, marked by a rare double ship in Île-de-France, is the result of several construction and reconstruction campaigns, notably in the 15th and 16th centuries after the damage of the Hundred Years War. The flamboyant Gothic choir contrasts with the more rustic nave, while the bell tower, dated from the twelfth or thirteenth century, bears witness to the medieval origins of the building. The chapel of the baptismal fonts and the base of the bell tower, among the oldest parts, have a stone apparatus of size characteristic of this time.
The church has undergone major transformations over the centuries, including a recoupment of the choir and chapel of Saint Joseph in the flamboyant period, as well as additions such as the sacristy in 1862. Ranked a historic monument in 1969, it was completely restored in the 1990s, revealing remains of unreconstituted murals. His furniture, though modest, included retables of the 19th century and a bell of 1785, marked by the traces of the French Revolution. Today affiliated with the parish group of Viarmes, it retains an active role in local religious life, with masses celebrated monthly.
The south elevation of the building offers a picturesque silhouette, marked by the juxtaposition of disparate volumes: the chapel of the baptismal fonts, the bell tower in the building, and the sacristy. These elements, though rustic, reflect the successive adaptations of the church to liturgical and community needs. The 17th century porch, added in front of the western gate, and the characteristic foothills of the 12th and 13th centuries, highlight this architectural evolution. Despite the absence of remarkable sculptural elements, the church is distinguished by its double-shiped plan, rare in the region, and its history linked to the abbey of Saint-Denis, former collator of the cure.
Under the Ancien Régime, Noisy-sur-Oise depended on the diocese of Beauvais, and his church was under the protection of the abbots of Saint-Denis. The French Revolution led to its attachment to the diocese of Versailles, then to Pontoise after 1966. The 19th century transformations, such as the displacement of the cemetery in 1862, freed space for the expansion of sacristy. The restorations of the 20th century, particularly that of 1992-1993, preserved this emblematic building, while partially erasing the traces of its medieval past.
The church furniture, although not classified, includes notable elements such as the woodwork of the chapel of the baptismal fonts and a carved door of the sixteenth century. The tabletops, including that offered by the Marquis de Noisy in the 17th century, illustrate the links between the building and the local noble families. The bell of 1785, blessed by the parish priest Pierre Montier, bears the names of the donors, including the Maupeou family, and the traces of the revolutionary burinages. These elements, combined with architecture, make the church a valuable witness to the religious and social history of the region.
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