First certificate 985 (≈ 985)
Possession of the Canons of Notre-Dame de Paris
XIIe siècle
Medieval reconstruction
Medieval reconstruction XIIe siècle (≈ 1250)
Building rebuilt by the canons
1360
English Headquarters
English Headquarters 1360 (≈ 1360)
Mutilated lathe, crushed local resistance
XVIe siècle
Reconstruction of the choir
Reconstruction of the choir XVIe siècle (≈ 1650)
Renaissance, apse and strolling style added
1793
Revolutionary closure
Revolutionary closure 1793 (≈ 1793)
Cult abolished, temple of reason
1821
Restoration of the choir
Restoration of the choir 1821 (≈ 1821)
Frame vaults by A. Chatillon
1996
MH classification
MH classification 1996 (≈ 1996)
Choir protected by ministerial decree
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Choir (Box V 78): Order of 18 July 1996
Key figures
Claude Monsaldy - Curé d'Orly
Imprisoned in 1793, avoided guillotine
A. Chatillon - Architect
Consolidated the choir around 1821
Édouard III - King of England
Commanded the siege of Orly in 1360
Origin and history
The church of Saint-Germain-de-Paris d'Orly, attested since 985 as possession of the canons of Notre-Dame de Paris, was rebuilt in the 12th century. Its bell tower, fortified during the Hundred Years War, was severely damaged in 1360 in an English siege. About 200 inhabitants had been cut off to resist, but a hundred died and the others were captured or fled. The tower, symbolizing this resistance, kept its stigma.
In the 16th century, the church choir was completely rebuilt, adopting a Renaissance style with an apse surrounded by a walk-through. Later additions of the dogid vaults and the ionic capitals bear witness to subsequent architectural transformations. The murals, dedicated to Marian iconography as the Education of the Virgin, probably date back to this or subsequent centuries.
During the French Revolution in 1793, Catholic worship was abolished in Orly. The priest Claude Monsaldy, imprisoned, escaped the guillotine thanks to his call to the municipality. The church, renamed Temple of Reason, then served as a meeting room for the General Council of the commune. At the beginning of the 19th century, architect A. Chatillon consolidated the choir, replacing some vaults with structural structures and changing the roof of the walk.
The bell tower, covered with a slate, and the choir classified as Monument Historique in 1996 today illustrate this heritage rich in twists. The engraved inscriptions, like R.S.Z. 1772 or the name MALARDIER L., recall the traces of the artisans and faithful who marked his history. The successive transformations, from medieval fortifications to modern restorations, bear witness to the religious, political and architectural evolutions of the region.
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