Construction of the nave XIVe siècle (≈ 1450)
Nef in limestone erected.
XVe siècle
Construction of the choir
Construction of the choir XVe siècle (≈ 1550)
Late Gothic choir completed.
1929
Destroyer fire
Destroyer fire 1929 (≈ 1929)
Building severely damaged by fire.
1930-1963
Catering and stained glass
Catering and stained glass 1930-1963 (≈ 1947)
Works including the stained glass windows of Décorchemont.
2 février 2009
Historical Monument
Historical Monument 2 février 2009 (≈ 2009)
Full protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box E 423): inscription by decree of 2 February 2009
Key figures
François Décorchemont - Glass painter
Author of contemporary stained glass (1930-1963).
Origin and history
Saint-Gervais-Saint-Protais d'Étrépagny Church, located in the department of Eure in Normandy, is a religious building built mainly in the fourteenth and fifteenth centuries. The nave, erected in limestone in the 14th century, was completed in the next century by the choir. A four-level bell tower flanks the nave in the northwest, while a very prominent single-span transept cuts the eastern part of the building. These architectural elements reflect late Gothic styles, typical of Norman churches of this period.
In 1929, a fire ravaged the church, leading to a major restoration campaign from 1930. The works, which lasted until 1963, included the creation of stained glass windows signed by François Décrchemon, a renowned glass painter. These stained glass windows incorporate a strong contemporary dimension, with a series of eight panels commemorating the 1940 campaign and the Deportation, illustrating the historic anchoring of the building in the 20th century events.
The church, classified as a Historical Monument by decree of 2 February 2009, is now owned by the municipality of Etrepagny. Its reconstruction and artistic elements, including stained glass windows, testify to both a preserved medieval heritage and a modern reinterpretation of sacred art. The building thus embodies a double memory, both medieval and contemporary, in the heart of Normandy.
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