Crédit photo : Frédérique PANASSAC - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
1109
Donation to the Chair-God
Donation to the Chair-God 1109 (≈ 1109)
Church ceded by Bishop Aldebert II.
XIIe siècle
Initial construction
Initial construction XIIe siècle (≈ 1250)
Romanesque period, edified nave and transept.
1299
Union à la mense Episcopale
Union à la mense Episcopale 1299 (≈ 1299)
Link to the Bishop of Mende.
1557
Bell dated
Bell dated 1557 (≈ 1557)
Testimony of 16th century works.
XVIe siècle
Late Gothic additions
Late Gothic additions XVIe siècle (≈ 1650)
South gate and bell tower built.
1880-1900
Wall paintings
Wall paintings 1880-1900 (≈ 1890)
Religious decors added in nave.
1986
Historical monument classification
Historical monument classification 1986 (≈ 1986)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Parish Church (Box E 581): inscription by order of 10 February 1986
Key figures
Aldebert II de Peyre - Donor bishop
Gives the church to the Chair-God in 1109.
Origin and history
The church of Saint-Jean-Baptiste de Fontans, located in the hamlet of Estrets on the commune of Fontans (Lozère, Occitanie region), is a religious building of Romanesque origin, built mainly in the 12th century. It is distinguished by its Latin cross plan, its unique vaulted nave in a broken cradle, and a characteristic bell tower-wall. The carved capitals, combining vegetal, geometrical and two human heads, as well as the cul-de-four vault of the apse, testify to a careful construction, probably completed in the thirteenth century. The church was completely repainted at the end of the 19th century, adding decorations linked to the Passion, the Eucharist and the Sacred Heart.
The building has a history linked to the order of Saint John of Jerusalem: it belonged to the house of the Hospital of Estrets, attached to the commandory of Gap-Francès within the great priory of Saint-Gilles. In 1109 Bishop Aldebert II of Peyre gave the church to the abbey of the Chaise-Dieu, before it was united with the episcopal mense in 1299. The south gate, the bell tower-wall (with a bell dated 1557) and a stair turret were added in the 16th century, illustrating a late Gothic. Ranked a historical monument in 1986, the church today retains its parish role and its Romanesque and Gothic architectural heritage.
The architecture of the church combines Romanesque elements (nef, transept, apse to eight sides) and Gothic elements (clocher-mur, meridional portal with oric rollers). The nave, the arms of the transept and the right span are arched in a broken cradle, while the cross of the transept has a vault of ridges. The walls, in the medium granite apparatus, support a roof covered with shale. Inside, the double arches fall on carved capitals, and 19th-century paintings cover the vaults. The building, owned by the commune, remains a major testimony of medieval religious art in Gevaudan.
The site of the Estrets, where the church stands, was a strategic place for the Hospitallers, a military and religious order founded in the 11th century to protect pilgrims. The command office of Gap-Francès, to which it was attached, managed a network of hospital houses in Occitanie. The donation of 1109 by Bishop Aldebert II of Peyre marks his initial connection to the powerful abbey of the Chaise-Dieu in Auvergne. In 1299, his union with the Episcopal Mense of Mende reflected medieval ecclesiastical reorganizations. These institutional changes explain the richness of its decor and its maintenance throughout the centuries.
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