Transfer of ownership 1056 (≈ 1056)
Duke Guillaume removed the sanctuary from the canons of Rouen.
XIIe siècle
Initial construction
Initial construction XIIe siècle (≈ 1250)
Church edification in Romanesque style.
Fin XVe–début XVIe siècle
Walled carriages
Walled carriages Fin XVe–début XVIe siècle (≈ 1625)
Added punches and carved entries.
XIVe–XVIe siècles
Changes in berries
Changes in berries XIVe–XVIe siècles (≈ 1650)
Partial architectural adaptations.
4 juillet 2005
Historical Monument
Historical Monument 4 juillet 2005 (≈ 2005)
Official registration of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box A 147): inscription by decree of 4 July 2005
Key figures
Duc Guillaume (Guillaume le Conquérant) - Duke of Normandy
Transferred the property in 1056.
Philippe Deshée (1579–1649) - "Monnayer" in Saint-Lô
Funeral room preserved in the church.
Origin and history
The Saint-Jean-Baptiste church of La Mancellière-sur-Vire, located in the Manche department in Normandy, is a Catholic religious building built in the 12th century. Its architectural plan, composed of two adjoining rectangles forming the nave and choir, reflects the simplicity of the first Romanesque churches in the region. The bell tower, covered in a building and positioned to the west, as well as the condemned door of the south wall, adorned with an arch in the middle of a double row of chevrons, testify to its medieval origin. The bays, modified in the 14th, 16th and 20th centuries, contrast with the apparatus in the edge-of-fish of the choir môtiers, highlighting the age of the foundation.
In 1056, the Duke William of Normandy withdrew the property from the shrine to the canons of the church Saint-Lô de Rouen to entrust it to those of the Cathedral of Coutances, marking an early institutional change. The building has preserved its wooded frames from the 15th to 16th centuries, decorated with punches, ground entrances and crows carved from human heads. These elements, as well as the panels partially covering the nave, illustrate the stylistic evolutions after its construction. Despite the local population growth, the lack of resources has preserved the church from major changes, allowing the preservation of original details as a 17th century granite funerary slab.
Classified as a historical monument since July 4, 2005, the church also houses inventoried glass windows, including those representing Our Lady of Merci and Saint Thérèse of the Child Jesus. The funerary slab of Philippe Deshée (1579–49), monnayer at the Saint-Lô currency hotel, recalls the social role of the building: the deceased is represented there with his sword and hammer, symbols of his function. The triumphal arch separating the choir and the nave, as well as the sculpted Romanesque elements, complete this remarkable architectural and historical heritage.
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