Initial construction XIIIe siècle (≈ 1350)
Romanesque building transformed into Gothic.
XIVe siècle
Addition of the North Chapel
Addition of the North Chapel XIVe siècle (≈ 1450)
Funded by the Counts of Auvergne.
1489
Construction chapel south
Construction chapel south 1489 (≈ 1489)
Built by the priest Pierre Dalmas.
1726
Historical error noted
Historical error noted 1726 (≈ 1726)
Confusion on parish status.
1789
Dependence at Manglieu Abbey
Dependence at Manglieu Abbey 1789 (≈ 1789)
Before the French Revolution.
1952
Discovery of paintings
Discovery of paintings 1952 (≈ 1952)
13th century Fresques in the choir.
29 octobre 1962
Historical monument classification
Historical monument classification 29 octobre 1962 (≈ 1962)
Protection of the painted walls of the choir.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The North and South walls decorated with murals of the choir (Box C 406): classification by decree of 29 October 1962
Key figures
Jean-Baptiste Fouilhoux - Abbé and local historian
Rebutted the hospital legend.
Cardinal de Boulogne - Founder of vicarie
North Chapel financed for him.
Pierre Dalmas - Priest and patron
Funded the southern chapel.
Origin and history
The church of Saint-Jean-Baptiste de Vic-le-Comte, located in Puy-de-Dôme in Auvergne-Rhône-Alpes, is a religious building built in the 13th century. Initially in Romanesque style, it underwent major modifications in the Gothic era, including the elevation of the walls to accommodate a third-point vault and cross-sections of warheads. The apse with cut strips, with ogival windows, could be an unprecedented Gothic addition novel, although this hypothesis remains uncertain. The architectural traces, like the preserved Romanesque cornice, bear witness to this stylistic transition.
Contrary to a local belief, the church never belonged to the hospital knights of Saint-Jean-de-Jérusalem, a commandary never having existed in Vic-le-Comte. It was actually built by the faithful and was dependent before 1789 on Manglieu Abbey, which named the parish priest. Two access doors, one in the middle of the wall and the other ogival Gothic, illustrate the successive phases of construction. Two side chapels, added in the 14th and 15th centuries, give the building a false transept appearance.
The church houses 13th century murals, discovered in 1952 in the choir. These frescoes, located on the north and south walls, represent in particular six apostles aligned on both sides of a window today blocked. During the Revolution, the building served as a space for popular meetings. Ranked a historical monument in 1962 for its painted walls, the church also preserves baptismal fonts and was a central place for religious teaching and brotherhoods, such as that of the Rosary in the 17th century.
The 14th century trilobed portal, rare in the region, and the Romanesque capitals supporting gothic veins highlight the mix of styles. In the 14th century the Counts of Auvergne financed a chapel dedicated to a vicarie founded by the Cardinal of Boulogne, while in the 15th century the priest Pierre Dalmas erected the southern chapel. These additions reflect the social and religious importance of the building throughout the centuries.
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