Initial construction XIIe siècle (≈ 1250)
Original Romanesque building and transept west.
XVe siècle
Adding a second transept
Adding a second transept XVe siècle (≈ 1550)
Double the existing Roman transept.
1640
Creating the retable
Creating the retable 1640 (≈ 1640)
Work attributed to François III Houdault.
XVIe–XVIIe siècles
Reconstruction of the choir
Reconstruction of the choir XVIe–XVIIe siècles (≈ 1750)
Major changes and addition of Baroque elements.
1825
Rebuilding the nave
Rebuilding the nave 1825 (≈ 1825)
Construction of the current bell tower.
13 février 1929
Ranking of the Romanesque door
Ranking of the Romanesque door 13 février 1929 (≈ 1929)
Registration for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
La porte romane (cad. AB 201): inscription by decree of 13 February 1929
Key figures
Jean de Beverley - Holy patron saint of the church
Founder of an English abbey, dedicated since 1542.
François III Houdault - Sculptor assigned
Suspected author of the retable (1640).
Origin and history
Saint-Jean-de-Berveley Church, located in Saint-Jean-Brévelay, Morbihan, is a Catholic building dedicated to Jean de Beverley, founder of an English abbey in the eighth century. Its Romanesque origin dates back to the 12th century, as evidenced by its western transept and southern portal, characterized by a door in the middle of a hanger decorated with sculpted voussures and modillons. These elements, among the oldest preserved, illustrate medieval Breton religious architecture.
In the 15th century, a second transept was juxtaposed to the first, doubling the initial structure. The choir, rebuilt in the 16th century and modified in the 17th century, reflects the stylistic evolutions of the modern era. In 1825 the nave was completely rebuilt and a bell tower erected, marking a last major phase of transformation. The Romanesque gate, the most remarkable vestige, was protected by an inscription to historical monuments in 1929.
The interior houses a altarpiece (1640), attributed to the sculptor François III Houdault, as well as traces of murals depicting bishops on an octagonal pillar. These artistic elements underline the cultural and spiritual role of the building throughout the centuries. The church, in the shape of a Latin cross with double transepts, remains an architectural testimony of the successive changes suffered by the Breton religious buildings.
The location of Saint-Jean-Brévelay, in Morbihan, places this building in the heart of an area marked by a rich medieval and modern heritage. His history reflects both local and external influences, as evidenced by his dedication to an English saint, John of Beverley, officialized in 1542. This particularity highlights the cultural exchanges between Brittany and other European regions during these periods.
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