Initial construction 2e moitié du XIIe siècle (≈ 1250)
Building of Romanesque church and carved capitals.
Vers 1527
Reconstruction of the choir
Reconstruction of the choir Vers 1527 (≈ 1527)
Major works in the 16th century.
Début XVIIe siècle
Design of the façade
Design of the façade Début XVIIe siècle (≈ 1704)
Likely to change the main entrance.
1789
Revolutionary decommissioning
Revolutionary decommissioning 1789 (≈ 1789)
Becoming private property after the Revolution.
1818
Acquisition by Sallandrouze
Acquisition by Sallandrouze 1818 (≈ 1818)
Turned into a family funeral chapel.
20 janvier 2003
Historical monument classification
Historical monument classification 20 janvier 2003 (≈ 2003)
Registration for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The former church (Cd. AK 215): registration by decree of 20 January 2003
Key figures
Famille Sallandrouze - Private owners (from 1818)
Dynasty of tapestries having acquired the church.
Origin and history
The church of Saint-Jean-de-la-Cour, located in Aubusson en Creuse, is a religious building built in the 12th century, overlooking a meandering Creuse River. Its architecture combines Romanesque elements, such as the capitals carved of plant motifs in the nave, and parts rebuilt in the sixteenth century, including the choir dated 1527. The nave of origin, considered to be old, would have been demolished at the same time, while the present facade could date from the early seventeenth century.
Disused after the French Revolution, the church was acquired in 1818 by the Sallandrouze family, a dynasty of local upholsterers, who transformed it into a private chapel and a funeral. Ranked a historical monument in 2003 for its archaeological elements (walled arcades, pillars with cruciform nuclei), it is now communal property and hosts exhibitions, bearing witness to its religious and artisanal past.
The building is characterized by a rectangular two-span plan, where traces of the old transept crossover remain. The outer pillars, decorated with half-columns, suggest a more complex initial structure, perhaps including collaterals. The chamfered tiles of the capitals and the walled archatures confirm its medieval origin, while the subsequent redevelopments reflect the architectural evolutions and liturgical needs of the sixteenth and seventeenth centuries.
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