First written entry 1047 (≈ 1047)
Charter of transfer to the Abbey of the Ladies.
XIVe–XVe siècle
Fortification of the bell tower
Fortification of the bell tower XIVe–XVe siècle (≈ 1550)
Added a round path (one hundred years war).
XVIe siècle
Partial destruction
Partial destruction XVIe siècle (≈ 1650)
Fire during the Wars of Religion.
1800
Neoclassical reconstruction
Neoclassical reconstruction 1800 (≈ 1800)
Building deemed old, modified orientation.
12 avril 1951
Ranking of the bell tower
Ranking of the bell tower 12 avril 1951 (≈ 1951)
Protection under Historic Monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Clocher : by order of 12 April 1951
Key figures
Geoffroy Martel - Count of Anjou
Cedes church to abbey in 1047.
Origin and history
The St. Lawrence church of Gua, mentioned as early as 1047 in a charter of Geoffroy Martel, was then ceded to the Abbey to the Ladies of Saints with his lands and returns. This first Romanesque building, partially destroyed during the Wars of Religion, was rebuilt in the 19th century in a sober neo-classical style, after being deemed too old in 1800. The bell tower, the only vestige of the 12th century, was fortified during the Hundred Years' War with a round road still visible, then surmounted by an arrow slated in the 16th century.
The 19th century reconstruction took a different direction, moving the bell tower (formerly at the cross of the transept) south of the nave. The interior, in Latin cross, features 19th and 20th century stained glass windows, a glazed vault, and frescoes degraded in the abside. The high altar, from the church of Dercia, and a 19th-century maritime ex-voto (classified in 1980) bear witness to its turbulent history.
Nearby, remains of the 15th century priory remain, including a housing body and a polygonal tower decorated with a humorous medieval sculpture (a contortionist). The bell tower, classified as a Historical Monument in 1951, embodies the transition between regional Romanesque architecture and the defensive adaptations of the late Middle Ages. The neo-classical facade, inspired by the arches of triumph, contrasts with this preserved medieval heritage.
The Wars of Religion marked a turning point: the church, burned and destroyed, was replaced by a more modest sanctuary, reflecting the economic constraints of the time. The traces of the double arches of the original bell tower, visible on its faces, recall its initial location. Today, the building thus blends Romanesque heritage, Gothic modifications, and neo-classical sobriety, illustrating architectural recompositions related to conflicts and liturgical evolutions.
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