Crédit photo : Mypouss (Pymouss) - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
…
1700
1800
1900
2000
1211 ou 1280
Adding the term Saint Leonard
Adding the term Saint Leonard 1211 ou 1280 (≈ 1280)
Double dedication of the church.
XIIIe siècle (2e moitié)
Initial construction
Initial construction XIIIe siècle (2e moitié) (≈ 1350)
Gothic edification under the name Saint Martin.
1730
Construction chapel south
Construction chapel south 1730 (≈ 1730)
Expansion of the building.
milieu XVIIe siècle
Catering by Anne of Austria
Catering by Anne of Austria milieu XVIIe siècle (≈ 1750)
Added pulls and benefits.
1882
Decommissioning
Decommissioning 1882 (≈ 1882)
Closed to worship after new church.
1942
Historical monument classification
Historical monument classification 1942 (≈ 1942)
Official heritage protection.
1976
Purchase by the municipality
Purchase by the municipality 1976 (≈ 1976)
Start of modern restorations.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Église Saint-Léonard and Saint-Martin (former): inscription by order of 11 July 1942
Key figures
Anne d’Autriche - Benefactor
Finance restorations in the 17th century.
Théophile Poilpot - Owner (1896–?)
Painter, creates a museum in the church.
Famille Rivaud de la Raffinière - Former owner
Add 14 painted panels (XVe).
Origin and history
The church Saint-Léonard-et-Saint-Martin de Croissy-sur-Seine, built from the 13th century, is an example of Gothic architecture in Île-de-France. Originally dedicated to Saint Martin, she also adopted the term Saint Leonard in 1211 (or 1280 according to the sources). The building underwent restorations in the 17th century, financed notably by Anne of Austria and local benefactors, with the addition of structural pulls. A southern chapel was built around 1730, while the porch was destroyed in 1856.
In the 19th century, population growth made the church too small. After the consecration of the new parish in 1882, it was disused and sold. The painter Theophile Poilpot acquired it in 1896, installing a small museum and integrating architectural elements of re-use (pament, 15th century fireplace). The Rivaud de la Raffinière family then added 14 painted panels (15th century) representing busts.
Purchased by the municipality in 1976, the church was restored in the 1980s–90s and opened to the public as a gallery and concert hall. Ranked a historical monument in 1942, it preserves traces of its transformations, mixing medieval heritage and modern additions. Its current address, 3 Grande Rue, makes it a central location of Croissy-sur-Seine.
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