Initial construction XIIIe siècle (≈ 1350)
Simultaneous edification with a missing castle.
1576
Fire during the Wars of Religion
Fire during the Wars of Religion 1576 (≈ 1576)
80 people die in the flames.
1682
Reconstruction of the bell tower
Reconstruction of the bell tower 1682 (≈ 1682)
Raised peg tower after previous collapse.
XIXe siècle
Nave vault
Nave vault XIXe siècle (≈ 1865)
Modernisation of the interior structure.
fin XVIIIe siècle
Renovation of the choir
Renovation of the choir fin XVIIIe siècle (≈ 1895)
Decor redone in contemporary style.
1995
Historical Monument
Historical Monument 1995 (≈ 1995)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Cad. AB 49): registration by decree of 19 January 1995
Key figures
Melchior de Chabiel Morière - Knight of Saint-Louis
Sitting in the church (died 1789).
Jean Taté - Local columnist
Reported the fire of 1576.
Origin and history
The church of Saint-Leu de Sévigny-Waleppe, located in the Ardennes, finds its origins in the 13th century, when it was built simultaneously with a castle today disappeared. Its architecture is singularized by a tower-porch built above the nave, contrary to usage, and flanked by two peppers in corbellation. This structural choice, supported by foothills, reflects a local adaptation to the defensive or symbolic needs of the time.
In 1576, during the Wars of Religion, the church suffered a tragic fire: 80 men, the parish priest, and women and children died in flames. The building, not fortified at that time, was partially rebuilt thanks to the mobilization of the inhabitants, who financed the square porch tower. In 1682 a new bell tower, higher, replaced the old collapsed, housing three bells transferred to the top of the tower. The interior layouts continued in the 18th and 19th centuries, with the enhancement of the choir and the vault of the nave.
Inside, Melchior de Chabiel Morière (1713–89), a knight of Saint-Louis, drew attention. His family weapons — three-pomed pine-fir — and those of his ring line, the Fabrys, adorn the funeral monument. Ranked in the Historical Monuments in 1995, the church thus embodies both a revamped architectural heritage and a local memory marked by religious conflicts and provincial aristocracy.
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