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Saint Lucian Church of Avrechy dans l'Oise

Patrimoine classé
Patrimoine religieux
Eglise romane et gothique
Architecture gothique flamboyant
Oise

Saint Lucian Church of Avrechy

    8 Carrefour Charles de Gaulle 
    60130 Avrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Église Saint-Lucien dAvrechy
Crédit photo : Pierre Poschadel - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1500
1600
1700
1800
1900
2000
vers 1130
Construction of the Romanesque choir
1547-1559
Addition of Renaissance Portal
fin XVe - milieu XVIe siècle
Flamboyant Gothic reconstruction
1882
Acquisition of a relic of Saint Waudru
29 août 1950
Historical Monument
7 septembre 1964
Obstruction of Admiral d'Argenlieu
Aujourd'hui
Aujourd'hui

Heritage classified

Church: by decree of 29 August 1950

Key figures

Saint Lucien de Beauvais - Holy patron saint of the church Relics preserved in the choir.
Sainte Waudru de Mons - Auxiliary patrol Relics obtained in 1882.
Georges Thierry d'Argenlieu - Admiral and Chancellor of Liberation He was buried in the south crusade.
Françoise d'Argillière - Noble of the 16th century Funeral room in the north side.
Fleury Macqueron - Sculptor of the seventeenth century Foundation plate for Masses.
Pierre Joseph Gon de Vassigny - President of the Court of Aid Memorial plaque of the eighteenth century.

Origin and history

The church of Saint Lucien d'Avrechy, located in the Oise region of Hauts-de-France, is a religious building built over centuries. Its square choir, built in the second quarter of the 12th century in a late Romanesque style, is the oldest part. It is distinguished by a vault of large Romanesque warheads for the period, with carefully ground ribs and various capitals. This choir, dedicated to Saint Lucien de Beauvais and Saint Waudru de Mons, preserves relics of these two saints, placed in shawls near the neo-Roman high altar. The vault, arched and fitted perpendicular to the warheads, presents archaisms typical of the first experiments of arching warheads in the region, while displaying innovations like ground formations.

From the late 15th century until the mid 16th century, the rest of the church was rebuilt in the flamboyant Gothic style, with the exception of the Romanesque choir. This reconstruction includes the nave, the lower side almost as high as the nave, and a less wide transept than the nave. The north cross of the transept serves as the base for the bell tower. The vaults of the nave and the lower side, homogeneous despite stylistic inconsistencies, fall on caps decorated with mouldings or plant motifs. The third-point side windows have late flamboyant fillings, with simple, assage-like shapes, reflecting the transition to the Renaissance.

The Western portal, last added during the reign of Henry II (1547-1559), is Renaissance-style. It consists of two doors in the full hanger flanked by doric columns, supporting a complete entabment. The sculpted decoration, characteristic of the Renaissance, includes caissons, roses, and cherub heads, although strongly degraded today. This portal, although of quality, is described as cold and formalistic, without particular originality.

Saint Lucian Church has been classified as historical monuments since 29 August 1950. It underwent several restorations, especially in the 19th century, where the deeply degraded Romanesque choir was consolidated. In 1882 the parish obtained a relic of Saint Waudru, a vertebrae, to replace those lost. In 1964, the funeral of Admiral Georges Thierry d'Argenlieu, Chancellor of the Order of Liberation, was celebrated in the presence of General de Gaulle. Today, the church, although no longer an independent parish, remains an active place of worship within the parish of Saint-Vincent-de-Paul du Pays de Chaussé.

The church's furniture includes several notable elements, including funeral slabs from the 16th and 17th centuries, such as that of Françoise d'Argillière (1526) or Louis d'Hangest and his wife Jeanne de Collincourt (16th-17th centuries). A 17th-century foundation plaque recalls the legacy of sculptor Fleury Macqueron, while an 18th-century commemorative plaque honours Pierre Joseph Gon de Vassigny, President of the Paris Aid Court. The glass windows, partially classified, include fragments of a 1554 stained glass window, now mounted in a window on the north side.

Architecturally, the church is distinguished by its simple and almost symmetrical cruciform plan, with a nave of three spans accompanied by low sides, a non-overhanging transept, and a square choir with a flat bedside. The bell tower, located above the north crusillon, is without particular architectural interest, with a floor of belfry openworked with bays in full hanger. The exterior of the choir, sober and undecorated, reflects the characteristics of primitive Romanesque architecture, while the flamboyant parts display a stone-cut apparatus of great regularity. The church, surrounded by a cemetery, dominates the main street of the village thanks to a retaining wall, although its western gate, without direct access from the street, is rarely used.

External links