Funeral slab of Gratien de Maillart 1543 (≈ 1543)
Black marble commemorating the local lord
XVe siècle
Construction begins
Construction begins XVe siècle (≈ 1550)
Initial period mentioned by Monumentum
27 novembre 1911
Historical Monument
Historical Monument 27 novembre 1911 (≈ 1911)
Official building protection
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: by decree of 27 November 1911
Key figures
Gratien de Maillart - Local Lord
Burdened in the church (dalle of 1543)
Thiriette d'Isnard - Wife of Gratien de Maillart
Mentioned on the funerary slab
Origin and history
The Saint-Marcel church of Saint-Marcel, built mainly in the 16th century with elements dating back to the 15th century, is distinguished by its flamboyant Gothic architecture. Its entrance gate, adorned with rinceaux and vine branches carved in the stone, although partially mutilated, opens on a vaulted nave in full hanger without bottoms. The choir, at pentagonal apse, houses remarkable religious furniture, including an 18th-century wood pulpit and a marble master altar with Corinthian columns.
Inside, a black marble funerary slab dated 1543 commemorates Gratien de Maillart, local lord, and his wife Thiriette d'Isnard. The stained glass windows, alternating coloured glasses, and secondary altars – such as that of the Saint-Rosaire in the southern transept – testify to the artistic richness of the building. The church, classified as Historic Monument by decree of 27 November 1911, dominates the central square of the village, reflecting its historical role in the community.
Historical sources, including the works of Hubert Collin and Patrick Demouy, underline its importance in the Ardennes religious heritage. The building, owned by the municipality, combines medieval architectural elements (votes on cross of warheads, tower-porch) and posterior Baroque additions. Its precise location, 8 Rue du Four in Chaux, and its Insee code (08389) confirm its anchoring in the Ardennes department, in the Grand Est region.
The building illustrates the evolution of artistic styles between late Gothic and religious classicism, while serving as a memorial to the local aristocracy. The references to Mérimée and to the heritage bases (Clochers de France, Observatoire du Patrimoine Religiouse) make it a subject of study for the history of Christian architecture in Champagne-Ardenne.
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