Crédit photo : Thomas de Castilla - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
…
1900
2000
XIe siècle
Construction begins
Construction begins XIe siècle (≈ 1150)
Presumed period of initial work.
XIIe siècle
Continuation of work
Continuation of work XIIe siècle (≈ 1250)
Probable completion of the building.
18 août 1928
Historical Monument
Historical Monument 18 août 1928 (≈ 1928)
Protection of the tympanum and southern piercing.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Pedestrian and tympanum of the small south gate: classification by decree of 18 August 1928
Key figures
Information non disponible - No character cited
Sources insufficient to identify actors.
Origin and history
The church Saint-Martin de Beauvilliers, located in the eponymous village in the Centre-Val de Loire region, dates from the 11th and 12th centuries. It is distinguished by its southern facade, adorned with an entrance door whose eardrum, under a full arch, features a sculpture of a paschal lamb holding an orifam. This tympanum rests on top seats forming crows, integrated into the door legs. These architectural elements bear witness to an artistic and symbolic know-how typical of Romanesque art.
Classified as a Historic Monument since 1928, the church specifically protects the pied droit and tympanum from its small south gate. These elements, characteristic of the medieval period, illustrate the religious and cultural importance of the building in its historical context. The location of the building, specified by GPS coordinates and an address in the Merimée base, confirms its anchoring in the territory of Eure-et-Loir, near Chartres.
The representation of the Paschal lamb, a Christian symbol of the resurrection, underscores the spiritual vocation of the church. This pattern, combined with the oriflammation, evokes liturgical traditions and beliefs of the time. Although the sources do not mention specific characters or events related to its construction, the building reflects the rural religious architecture of the region, marked by Romanesque influences and a strong local identity.
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